YULIA LERMAK’S NUDES

➡️ Let's do real, be real with Tantaly, the sex doll torso leader



















































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This is why I pay for the Internet.

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HOTTIES #197

The Hotties saga is probably the one that leaves the most mixed feelings. Because on one hand, it’s impossible not to surrender to the obvious: female beauty in its purest form. Faces that seem carefully designed, bodies that fit every canon, raw physical and sexual attraction, direct, almost overwhelming.

But at the same time, there’s a bit of a reality slap to it. These are women who, for most people, exist on another level. Lives that don’t easily cross paths with yours. Bodies few can touch, company that not many get to enjoy beyond the screen.

And yes, we all know it. That in life it’s not all about looks. That what really matters is connection, sharing the road, projects, laughs, routines. That beauty fades, time passes, and in the end what remains is something else. All of that is true. No one argues that.
But come on. Tell me you wouldn’t die to be there, with all of them. All together. Without thinking about what comes after. Just the moment, and that’s it.

Hotties has that bitter-sweet edge precisely because of this. Because it shows you something you know isn’t for you, but that you’d want with everything you’ve got. Out-of-reach women, impossible bodies, an over-the-top fantasy that doesn’t fit into real life… and that’s exactly why it works so well.
It’s not about building anything. It’s about imagining it. And denying that would be lying to yourself.



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What are we celebrating?

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AMATEUR FLESH: SOIKA

In a time when the offer feels almost infinite, choosing just one thing has become complicated. There are stimuli everywhere, endless formats, new platforms popping up every month, and an attention span that keeps getting more fragmented. In that landscape, content creators are constantly balancing between specializing and adapting.

The usual —and often the smartest— move is to focus on a specific niche, fine-tune it, go deeper, and become a reference. Playing it safe. But not everyone works the same way, and not everyone has to. Some profiles stand out precisely for the opposite reason: their ability to shift, to fit into different contexts without losing who they are.





That’s the case with Shoika. Our amateur, flesh-and-blood protagonist doesn’t stick to a single version of herself. She has something that can’t be manufactured or easily copied: range. She fits into very different scenarios and feels authentic in all of them. The girl you’d introduce to your parents without raising any eyebrows. The one you’d take to a comic con and who’d blend in effortlessly. Or the one you’d run into at a party, late at night, in a nearly cyberpunk setting, neon lights included.

It’s not just about aesthetics or outfits. It’s about attitude, body language, the way she looks into the camera and connects with whoever’s on the other side. Shoika doesn’t play a fixed character; she adapts to the moment and to the kind of fantasy being explored without it ever feeling forced.

And in a context where users increasingly look for personalized experiences, that versatility is pure gold. Because it widens the attention spectrum, but also deepens the connection. It’s not about trying to cover everything without direction, but about knowing when and how to change skins.

That’s the difference between racking up views and building real interest. And Shoika seems to have that pretty clear.



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RANDOM AI-GENERATED IMAGES VOL28

Lately we keep hearing the same line: artificial intelligence is going to take our jobs.
And it’s probably true. Not everyone’s, not all at once, but many of them. Factories, offices, services, creative work, customer support… the sector doesn’t matter. If something can be automated and made cheaper, it will be.

And that’s where an uncomfortable question pops up: if people lose their jobs, who’s going to buy what companies produce?

Because the system has always worked the same way: you work, you get paid, you consume. Companies sell because there’s money on the other side. But if that “other side” loses its income, the equation starts to squeak. Badly.





The usual answer is optimistic: new jobs will appear, wealth will be redistributed, solutions will be found. Progress always ends up benefiting everyone.
But… does anyone really believe that those who concentrate power and money are losing sleep over it?

The famous 1% doesn’t need the 99% to live well. What it needs is to maintain its status. And that doesn’t depend on whether you or I have a job, but on staying on top. Money matters, sure, but power matters more. And power is not handed out out of goodwill.

Sometimes we think they’ll “have to find a solution”, otherwise the system will collapse. But maybe not. Maybe the system doesn’t collapse: it just becomes smaller and more closed. Fewer people inside, more people left outside.

It’s not a new idea. It’s been in countless movies: walled cities, elites living comfortably with every service available, and outside… whatever’s left. Survival, precariousness, chaos.
It’s always felt like science fiction. But so did many things we now consider completely normal.

So maybe the real question isn’t whether AI is going to take our jobs. The real question is: do the people in charge actually care if it does?
And the honest answer isn’t very optimistic.

Think about it.

And to make it easier to digest, I’m sharing AI-generated images with you. It’s not all bad.



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The human centipede returns.

The scene belongs to the porn parody The Human Sexipede.

The acting weight falls on actresses Jynx Maze and Sunny Lane. In the following links you can watch several scenes they’ve starred in throughout their film careers.

Jynx Maze porn videos

Sunny Lane porn videos




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ASSES#149

What can be said about the asses saga that hasn’t already been said after so many installments? Probably nothing new. And yet, here we are.
Because no matter how much time passes or how many times we go over the subject, asses remain a safe bet. They never fail. They don’t get old. They don’t need context or explanation. They’re there and they work. Always.

We’ve seen everything: perfect asses, impossible asses, real asses, asses that look sculpted and others that get better the more natural they are. In motion, at rest. And the funny thing is that, after so many installments, you still feel like seeing one more.
Maybe because an ass isn’t just about eroticism. It’s about how it moves, how it’s shown, how it hints. It’s one of those body parts that doesn’t need forced protagonism: it earns it on its own.

So yes, maybe there’s nothing new left to say. But it also doesn’t matter. Just by looking at them, everything is already told.



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Happy 2026!






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THE EROTICISM OF KIM KRISTENSEN

A Danish photographer based in Aalborg, Kim Kristensen turns everyday moments into art through a sensitive and honest gaze. Although he defines himself as an amateur, his command of portrait photography and artistic nude reveals an aesthetic depth that goes beyond technique. His work celebrates the naturalness of the body and human emotion, using light that invites calm and contemplation.



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Unlocking challenges.

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THE NUDES OF NIKOLAI SKLOBOVSKY

Nikolai Sklobovsky is a photographer based in California, specializing in artistic nude photography.
His work, rooted in the fine art nude style, blends carefully crafted lighting, strong composition, and an elegant take on the human form. With international publications and collaborations with models, his work aims to strike a balance between technique, sensitivity, and creative freedom.



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Better than expected.

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