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Published on 2026/02/12

THE PHOTOGRAPHY OF MICHAEL BOMBERGER

Michael Bomberger is an American photographer based in Lancaster, Pennsylvania, and the creator of Archangel Images. His work focuses on fine art photography, with a strong emphasis on the human figure and artistic nude imagery, approached through an aesthetic, respectful, and deeply reflective lens.

Part of his work has been exhibited in curated settings and galleries, reinforcing a visual approach that prioritizes form, light, and the expression of the body as a central artistic element.




















































































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bombergermichael.myportfolio.com/archangel-images




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A very well-trained monkey.






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THE ILLUSTRATIONS OF GREG STONES

In many of Greg Stones’ drawings, the same scene keeps appearing — one that is both simple and disconcerting: a woman, standing calmly, showing her breasts… in front of penguins, raccoons, rabbits, aliens, or animals that seem more surprised than aroused. There is no explicit sexual tension, no classic narrative, no explanation. Just the gesture. And the gaze of the other.

These are simple drawings, almost childlike in form, yet loaded with intention. Or rather, loaded with questions. Why show her breasts? Why to them? Why in the middle of snow, open fields, or an empty landscape? Stones doesn’t seem interested in answering. He prefers to set the scene and walk away, leaving the viewer alone with what they feel.





There is something deeply animal in these images. Something primitive. As if the human body, naked and without drama, were presented to creatures that do not judge, do not moralize, and do not interpret the gesture as provocation. They simply observe. The way an animal looks at something new without loading it with guilt, rules, or learned meanings.

That may be why they work so well. Because they reduce the body to what it is: a body. No discourse. No excuses. No need for justification. Faced with gazes that don’t know what to do with it — but also do not condemn it.

Greg Stones doesn’t seem to want to eroticize so much as to dislocate. To take nudity out of its sexual context and place it in a more absurd, more innocent, more instinctive space. As if reminding us that, before everything else, we are still animals looking at other animals… without really knowing why we do what we do.

And that’s where the charm is. And also the substance.



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The slow motion of the day.






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LINGERIE SPECIAL #17

Although it’s not one of the sagas with the most installments, Special lingerie has always seemed to me one of the most elegant and erotic ones we share.
And that doesn’t mean there’s no skin on display here. Quite the opposite. There are garments that don’t cover, they decorate. They don’t hide the body, they highlight it. They add color, texture, intention.

The difference lies in the how. Fine lingerie isn’t meant to cover anything up, it’s meant to frame it. To guide the eye. To turn a naked body into something a bit more thought-out, a bit more aesthetic, without losing strength or boldness.
That’s why this saga works so well. Because it’s not just about showing, but about how it’s shown. That point where the explicit and the beautiful coexist without getting in each other’s way. Where a minimal garment can say more than full nudity.

In the end, it’s not about how much fabric there is. It’s about intention.



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Lola Bunny








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TIK HOT VOL229

First Tik Hot of the year and definitely not the last one.
Basically because I’ve got a whole pantry of videos from this theme saved up, and I keep dropping them for you little by little, like someone rationing ammo in the middle of a very specific war.

I’m like that fruit tree that never stops giving you something to bite into.
Maybe the harvest isn’t going great, the rains don’t help, a pig plague wipes out your hogs and the chickens stop laying eggs from one day to the next… but your fruit tree is still there. Standing. Faithful. Giving you something to hold onto when everything else starts to go to shit.

When the week looks rough, when work drains your soul, when life treats you like an NPC with no side quests… you come here and you know that something good is about to drop.
I don’t fix your problems. I don’t pay your bills. I don’t fix things with your ex or give you back the hair you lost in your 30s. But I give you a few minutes of escape, a dumb little grin, a “okay, not everything is that bad.” And that, my friend, on certain days, is worth gold.

So yeah. Another Tik Hot added to the collection. And many more to come.
Because as long as I keep stacking weird, suggestive and absurdly hypnotic videos… you’ll keep having your own personal fruit tree to come scratch at when everything else fails. 🍑🔥



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Some invitations just can’t be turned down.



These are Riley Reid and Lana Rhoades. I’m leaving you a couple of links so you can watch plenty of their scenes.

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ERICH CAPARAS’ SURPRISE-ENDING TRANSITIONS

There’s a phrase you see all the time on TikTok and Instagram: “wait for it”.
It’s no coincidence. It’s pure strategy.

With the insane amount of videos we watch every day, if in the first two seconds nothing grabs you, you swipe to the next one without even thinking. That’s why so many creators warn you: hey, stay until the end, something worth it happens at the end.
It’s not a written rule, and it’s not a forced trend. It’s simply the natural language of social media. A way of telling you: trust me, don’t leave just yet.

The videos I’m sharing today are exactly about that.
They’re created with AI by Erich Caparas and they don’t warn you about anything, but I will: they all have an ending. And it’s worth waiting for it.
I’m also leaving you his Instagram account, because it’s amazing to see how, video after video, he’s been improving the realism, the animation and the overall quality. It’s almost like watching the evolution of AI in real time, in the hands of someone who really knows what he’s doing.

So now you know: don’t scroll so fast.
This time, wait for it.



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Theseus after defeating the Minotaur.






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AMATEUR FLESH: MARIELLE

I genuinely believe that ALRNCN doesn’t get the international recognition it truly deserves. And I’m not saying this out of ego, but out of perspective: we’ve been doing this for over 23 years, curating photos and videos on a daily basis with a level of quality and criteria that very few websites still maintain today. You only need to look at material like Marielle’s to understand what I mean.

Very, very few sites remain active after all this time. And even fewer manage to do so without losing their identity, without turning into something else, or without giving up along the way. We don’t know how much longer we’ll last —with the current landscape of constant changes, lack of investment, censorship, and control— but as long as we’re allowed to, we’ll be here. As always.

That said, I’ll also be honest about something else: I wouldn’t want to be on everyone’s lips. I prefer a low-profile approach. A space where we can do things our own way, without constantly being in the spotlight or judged at every turn. Massive visibility comes at a cost, and it doesn’t always pay off.

So that’s it — have a great weekend. If all goes well, see you on Monday. I’ll leave you in good company: Marielle.



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WITH MOM AT THE WATER PARK

Last year we already shared some of her videos. A mother at a water park with her son, enjoying the day, playing in the water — an apparently innocent scene. The difference was her: very attractive, wearing a minimal bikini, aware of the camera and the reaction it triggers. The contrast did the rest.

The videos went viral. Millions of views, massive attention and, as a logical consequence, more followers on her blue account. The family context was the wrapper; the real spotlight was on her. And it worked.

This year, after checking her profile again, the story repeats itself. Same setting, same formula, same type of content. The kid has grown… and so have her followers. When something works, the natural thing to do is to stick with it. The internet rewards repetition when the mix is right.
There’s nothing explicit in the videos. Nothing really “happens.” And yet, there’s something else. Something that’s not in what takes place, but in how it’s framed and why it’s consumed. The water park is almost an excuse. The video lives in that blurry line between the everyday and the calculated.

From there, everyone draws their own conclusions. About exposure, about context, about whether everything is acceptable when the content is “apparently” innocent. This isn’t an accusation or a verdict. It’s simply putting the pieces on the table and looking at the whole picture.
I don’t judge. I just share.



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The slow-motion moment of the day.






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