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Published on 2019/08/22

THE NUDES TAKEN BY KLAUS WEGELE

Here are some of the photos that the German photographer Klaus Wegele has uploaded to the Internet...


















































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Klaus Wegele photographers nudes eroticism sexy portfolio photographer

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AMATEUR FLESH: G-LECHUGA

Can you actually get sick from having too much boob? I don’t know, but if there’s a pair that could leave you flat on the couch like after a Christmas feast, it’s our next amateur’s.

You don’t even know if the right move is to caress them, hug them, or just grab a knife and fork. They’re the kind that make you lose track of time, take your breath away, and leave you feeling like you’ve had a religious experience.

“Too much is never enough” suddenly takes on a whole new meaning here. Because there are big boobs… and then there are these. And with them, the word “overindulgence” starts to sound dangerously real.



# View photos




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It’s Friday!






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CONQUER YOUR FEAR OF FLYING VOL4

At ALRNCN we’ve done this three times before: first with Aerophobia and How to Fight It, then with They’ll Help You With Your Fear of Flying, and later with Conquer Your Fear of Flying. It’s been over twelve months since that last installment, but the wait was worth it because, yes, we can now officially call this a saga.

The idea is simple: if you’re afraid of getting on a plane, what you need isn’t a psychology manual, but a positive stimulus. Something that makes the takeoff, the turbulence, or even that cramped seat an experience linked to pleasure, not panic.

And that’s where they come in: creators who discreetly take advantage of the flight to record themselves. In their seat, in the bathroom, or hidden in the aisle, what they do is give the trip a whole new meaning. Because when your mind starts to associate “planes” with “them,” the fear fades away.

The anxiety might not vanish completely, but trust me— with this kind of company, the plane stops being an enemy and becomes an ally.



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Hoy compartimos un enlace de invitación para poder entrar en nuestro GRUPO PRIVADO de TELEGRAM. Si has estado esperando este momento, por fin ha llegado.

Para poder entrar necesitas tener una cuenta en TELEGRAM. Es muy fácil de crear. Basta con entrar desde tu PC o desde tu SmartPhone en https://telegram.org y seguir los pasos para crearte una. Para que te hagas una idea Telegram es como Whatsapp, pero mil veces mejor.

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En el GRUPO de TELEGRAM de ALRNCN todo el mundo puede hablar y compartir contenidos. Si es la primera vez que entras, puedes saludar (si quieres) y curiosear lo que la gente va compartiendo. Nuestro GRUPO es una extensión de la web, así que los contenidos que verás van en la línea de los contenidos que compartimos diariamente en nuestra web.

Se bienvenido y disfruta.

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Para usuarios de Apple
Si al entrar en nuestro Canal de Telegram te aparece un mensaje de que el contenido es para adultos y no puedes ver nada, entonces es que tienes activada la protección para adultos.
Tienes que ir a la versión web del Telegram https://web.telegram.org e identificarte, si no lo estás ya. En la configuración, en la sección "Privacidad", buscar la opción "Materiales sensibles" y activar "Desactivar restricciones". En cuanto lo hagas, el ajuste se sincronizará automáticamente con el resto de tus aplicaciones, incluidas las versiones para iOS y macOS de la App Store.
A partir de ahí ya podrás entrar en todos los Canales para adultos.





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James Brown - I Feel Good








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AMATEUR FLESH: 𝐂𝐫𝐢𝐦𝐬𝐨𝐧 𝐀𝐝𝐚

It’s Friday. And few things give me as much professional satisfaction as wrapping the week with a pair like Crimson’s.

It feels like coming home with a winter-ready trophy, like burying a game-winner in the final minute, like closing a deal that seemed impossible, acing an exam you barely studied for, or taking the last sip of a drink that hits just right.
That sweet feeling of knowing the week isn’t just done—it’s been finished in the best possible way.

We’re clocking out with everything on point, smiles on, and the promise—and the hope—that we’ll be back on Monday with more and better.



# View photos & videos




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The toxic one always shows up to ruin it.






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ACRO POLISI’S BIG BOOBS

It’s getting harder and harder to tell what’s real and what’s artificial.
You watch a video and ask yourself: is this real or AI? Not long ago it was simple—if the scene looked too exaggerated, you just assumed it was fake.

Now it’s not that easy. Accidents, animals, people… everything looks so real your head says “yes,” but your gut says “no.” And sometimes it’s the other way around—you think it’s fake, and it turns out to be true.

That happened to me with a creator on Instagram. She posted a few videos where her boobs bounced in such a surreal way that I thought: no way, this has to be AI. But something made me wonder if maybe it was real.

I dug a little deeper and it turns out the videos were real—or at least they seemed to be. She was wearing nipple covers that made everything look much more exaggerated, almost unbelievable. But honestly, these days putting your hand in the fire isn’t what it used to be.

So here are some of those videos—you decide who to trust: your eyes or your gut.



# Watch videos




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– I’m looking for a bra.
– What size?
– For these.






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AMATEUR FLESH: BLONDEBARBIE18

Scrolling through Reddit, I stumbled on a profile that feels like a snapshot of our times. A young woman taking full control of her looks, her youth, and her sexuality, and turning it all into a business. She posts on Twitter, shows curated pieces on Instagram, and funnels everything toward OnlyFans—where the real money is: personalized content, exclusive photos, private chats… the full package. It’s no longer just about selfies; it’s a whole economy built on direct access and intimacy.

And here’s where the debate begins. Some see it as smart, almost entrepreneurial—a modern way of cashing in on what society already values: beauty, desire, attention. Others dismiss it as reckless, convinced these girls don’t really know what they’re getting into. Some call it an honest living, not so different from modeling or acting. And then there are the critics who say it’s just digital prostitution dressed up as empowerment. Opinions are scattered everywhere, shaped by morals, culture, and personal hang-ups about sex and money.





The interesting part is how much the perspective has shifted over time. Decades ago, female sexuality was something hidden, punished, or consumed behind closed doors. Today, it’s monetized in the open, with young women running their own platforms, building their own audiences, and setting their own prices. What used to be controlled by studios, magazines, or webcam companies is now fully in their hands. No bosses, no middlemen, just a direct line between creator and consumer.

It’s a product of technology, sure—the rise of social media, digital payments, and platforms like OnlyFans. But it also reflects a shift in social values. We live in a time where authenticity sells, where people crave unfiltered access, and where intimacy can be packaged as a subscription. For some, it’s liberating. For others, disturbing. And maybe that’s the point: sexuality has always been controversial, but now it’s tangled up with algorithms, the hustle economy, and the idea that your phone can be both your office and your stage.

Love it or hate it, this new model isn’t going anywhere. What we’re seeing isn’t just young women making money—it’s an ongoing negotiation between technology, sex, and society about what’s acceptable, what’s empowering, and what it really costs to put yourself out there.



# See photos and videos




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You need to watch this one with the sound on.






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RANDOM AI-GENERATED IMAGES VOL21

While AI accelerates, we’re still trying to understand it—and predict it.

Lately it feels like artificial intelligence isn’t just moving fast: it’s gone feral. In his latest interview, Geoffrey Hinton—the “godfather” of all this—drops a few unsettling truths: countries compete with countries, companies compete with companies, and when everyone floors the accelerator at once, there’s no such thing as a collective brake. Nobody wants to be the one to lift their foot while the rest pull ahead.

Hinton sketches a future where AI could replace much of intellectual work, widen the wealth gap, and strain democracy. He talks about superintelligence in 10–20 years, and about what’s already here: the overwhelming advantages of digital systems over humans (they copy for free, learn at another scale, don’t sleep). Then comes the awkward question: if automation doesn’t create enough new jobs this time, who’s paying the rent for those left out?





History says every technological revolution kills some jobs and creates others. The printing press, the steam engine, electricity, the internet… There was always work in the end—different work, but work. And yes, it’s also true that nobody in 1995 pictured influencers, community managers, or people making a living fine-tuning algorithms. Maybe that happens again. Or maybe not. If the curve steepens the way Hinton suggests, the adjustment could be faster and more brutal than we’re used to. Hence the talk of basic income, new social contracts, real lifelong learning (not a sticker), and regulation that doesn’t kill innovation—or hand the future to three players with server farms in the desert.

If you want to hear him unfiltered, the interview is here: watch the episode.

And now, back to our thing…

While the gurus decide whether they’ll save us or sack us, we stick to what we do: random images created by AI. Beautiful women, flawless skin that doesn’t exist, gazes nobody set, curves a network imagined after devouring millions of pixels. It’s synthetic, sure… and it still stirs something very human.

The paradox is delicious: maybe AI will take our jobs, worsen collective decisions, or multiply inequality—but today, today, look at what it already does. It fantasizes, provokes, and hooks. And here we are, finger on the mouse, thinking that maybe it’s worth living (and dying) with this spectacle in the background. Relax: the apocalypse isn’t here yet; in the meantime, enjoy the simulation.



# See images




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Elizabeth Hurley and the dress that left everyone stunned at the premiere of “Four Weddings and a Funeral” in 1994.



instagram.com/elizabethhurley1




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