THE NUDES OF FELIPE HUEB

felipehueb.com
behance.net/felipe_hueb






➡️ Let's do real, be real with Tantaly, the sex doll torso leader




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#meganfox #margotrobbie #scarlettjohansson #emmastone #jenniferlawrence #galgadot #sandrabullock #nicolekidman #emmawatson #angelabassett #jenniferaniston #zendaya #sophieturner #emilyblunt #reesewitherspoon

instagram.com/original._.maks




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THE INSTAGRAM OF THE DAY: SARAAHLLOYD

sarah lloyd
im australian so i have more fun ❀♡



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Hypnotized by Angela White.

You can watch many Angela White videos at this link




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AMATEUR FLESH: ISABELLA

With Isabella, words are honestly unnecessary, so I won’t add anything else.



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Whatever you don’t want, you can give it to me.

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TIK HOT VOL228

I’ve been thinking for a while about doing something special today on ALRNCN, mainly because it’s December 31st. Something different, something that marks the day without falling into the usual stuff. And in the end, I figured that precisely to do something different, today the best option was not to overcomplicate it.

So today I’m only going to share some of the sagas that have been with us throughout this year. They’re not all there, and they’re not meant to be. They’re simply the first ones that came to mind. And maybe that’s exactly why they’re the most representative. The ones that, one way or another, define best what this website is.

Because in the end ALRNCN isn’t just about themes, tags, or passing trends. It’s about a way of looking. About a selection. About a criterion that repeats itself even as faces, formats, and contexts change. A recognizable identity seal where, above all else, quality and good taste come first.

Today there’s no need for more. Just looking back for a moment, acknowledging what has worked… and moving forward, as always.



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The slow motion of the day.

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THE ILLUSTRATIONS OF GREG STONES

In many of Greg Stones’ drawings, the same scene keeps appearing — one that is both simple and disconcerting: a woman, standing calmly, showing her breasts… in front of penguins, raccoons, rabbits, aliens, or animals that seem more surprised than aroused. There is no explicit sexual tension, no classic narrative, no explanation. Just the gesture. And the gaze of the other.

These are simple drawings, almost childlike in form, yet loaded with intention. Or rather, loaded with questions. Why show her breasts? Why to them? Why in the middle of snow, open fields, or an empty landscape? Stones doesn’t seem interested in answering. He prefers to set the scene and walk away, leaving the viewer alone with what they feel.





There is something deeply animal in these images. Something primitive. As if the human body, naked and without drama, were presented to creatures that do not judge, do not moralize, and do not interpret the gesture as provocation. They simply observe. The way an animal looks at something new without loading it with guilt, rules, or learned meanings.

That may be why they work so well. Because they reduce the body to what it is: a body. No discourse. No excuses. No need for justification. Faced with gazes that don’t know what to do with it — but also do not condemn it.

Greg Stones doesn’t seem to want to eroticize so much as to dislocate. To take nudity out of its sexual context and place it in a more absurd, more innocent, more instinctive space. As if reminding us that, before everything else, we are still animals looking at other animals… without really knowing why we do what we do.

And that’s where the charm is. And also the substance.



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The slow motion of the day.

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THE EROTICISM OF ERIC BURKHANAEV

The artistic nude in Erik Burjanaev’s work stands out for its visual approach, creating images that feel closer to painting or sculpture than to traditional photography.
His work is defined by the use of natural models, precise poses, and minimalist settings that highlight the form and the harmony of the body.



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When the supermarket is about to close, but life still feels wonderful.

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IBUYAMBO YAMAMPONDO

The Ibuyambo YamaMpondo is a cultural heritage festival held in South Africa that focuses on Mpondo culture, not only as tradition, but as a tool for the future. It’s not an event designed to look back, but to connect identity and personal growth, especially among young people.

The festival’s main goal is to empower young people, helping them make informed decisions about their lives, their bodies, and their role within the community. Through education, values such as self-love, respect, and responsibility are reinforced, always from a cultural and collective perspective.

During the event, traditional ceremonies, educational activities, music festivals, and contests like Miss & Mr Inkciyo take place, aiming to create positive role models and promote self-esteem, leadership, and social commitment.



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Squats.

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