THE EROTICISM OF SESNAS

# sesnas.photosight.ru

AMATEUR FLESH: G-LECHUGA

Can you actually get sick from having too much boob? I don’t know, but if there’s a pair that could leave you flat on the couch like after a Christmas feast, it’s our next amateur’s.

You don’t even know if the right move is to caress them, hug them, or just grab a knife and fork. They’re the kind that make you lose track of time, take your breath away, and leave you feeling like you’ve had a religious experience.

“Too much is never enough” suddenly takes on a whole new meaning here. Because there are big boobs… and then there are these. And with them, the word “overindulgence” starts to sound dangerously real.



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It’s Friday!

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AMATEUR FLESH: LUIZA

Luizaconlaz says she shares boobs and wisdom online, and if she brings even half as much wisdom as she does boobs, trust me—her advice would always be welcome. Of course, sometimes the greatest wisdom is knowing exactly what to show and when to show it. And on that front, she’s unbeatable.



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ASSES#147 + LINK TO OUR TELEGRAM COMMUNITY

Alright, if last week was about boobs, it only makes sense today we go with butts.
The universe keeps it simple: balance.
Life is about evening things out; day and night, coffee and naps, yin and yang… and at ALRNCN, one set of curves calls for the other.

It’s not rocket science: if you tipped the scale forward, sooner or later you bring it back.
Nature hates imbalance, and so does the feed.
So today we’re here to rebalance the cosmos with a generous serving of backsides that make you rethink the law of gravity—the kind that move with their own rhythm and demand a slow look.

Breathe, get comfy, and let the natural order reset.
Last week, boobs. This week, butts. And tomorrow… we’ll see which way fate leans.



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You might have noticed that when attempting to join our Telegram Channel you get a message that flags our content as sensitive content, which ends up not letting you see anything; this means you have the parental control activated.
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From there you will be able to enter all the Adult Channels.




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🤟 Rock and roll 🤟

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RANDOM AI-GENERATED IMAGES VOL21

While AI accelerates, we’re still trying to understand it—and predict it.

Lately it feels like artificial intelligence isn’t just moving fast: it’s gone feral. In his latest interview, Geoffrey Hinton—the “godfather” of all this—drops a few unsettling truths: countries compete with countries, companies compete with companies, and when everyone floors the accelerator at once, there’s no such thing as a collective brake. Nobody wants to be the one to lift their foot while the rest pull ahead.

Hinton sketches a future where AI could replace much of intellectual work, widen the wealth gap, and strain democracy. He talks about superintelligence in 10–20 years, and about what’s already here: the overwhelming advantages of digital systems over humans (they copy for free, learn at another scale, don’t sleep). Then comes the awkward question: if automation doesn’t create enough new jobs this time, who’s paying the rent for those left out?





History says every technological revolution kills some jobs and creates others. The printing press, the steam engine, electricity, the internet… There was always work in the end—different work, but work. And yes, it’s also true that nobody in 1995 pictured influencers, community managers, or people making a living fine-tuning algorithms. Maybe that happens again. Or maybe not. If the curve steepens the way Hinton suggests, the adjustment could be faster and more brutal than we’re used to. Hence the talk of basic income, new social contracts, real lifelong learning (not a sticker), and regulation that doesn’t kill innovation—or hand the future to three players with server farms in the desert.

If you want to hear him unfiltered, the interview is here: watch the episode.

And now, back to our thing…

While the gurus decide whether they’ll save us or sack us, we stick to what we do: random images created by AI. Beautiful women, flawless skin that doesn’t exist, gazes nobody set, curves a network imagined after devouring millions of pixels. It’s synthetic, sure… and it still stirs something very human.

The paradox is delicious: maybe AI will take our jobs, worsen collective decisions, or multiply inequality—but today, today, look at what it already does. It fantasizes, provokes, and hooks. And here we are, finger on the mouse, thinking that maybe it’s worth living (and dying) with this spectacle in the background. Relax: the apocalypse isn’t here yet; in the meantime, enjoy the simulation.



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Elizabeth Hurley and the dress that left everyone stunned at the premiere of “Four Weddings and a Funeral” in 1994.

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INSIDE THE CLOSET

walter
The cultural hegemony and political correctness of our time dictate how we should think and how we should act to be considered good people.
Anything outside their official narrative is seen as morally unacceptable, and you instantly get slapped with a dozen labels.

Those labels are like the round stickers they gave you in school when you were a kid, depending on whether you behaved well or badly.
Only here, there’s no smiling teacher or colorful diploma — what you get instead is a digital lynching that doesn’t distinguish between truths, mistakes, or simple opinions.

But this whole trend is, at its core, just a facade.
A public mask many wear to fit in, to not step out of line, to avoid offending.
Because once they’re in their own homes, behind their four walls, each one acts however they truly want.
And there, with no audience or applause, the true self comes out: no labels, no filters, no fear of judgment.



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Today’s slow motion.

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AMATEUR FLESH: MISTY

If you could choose when to leave this world, what better moment than right after a fuck with Misty. Because in the end, life isn’t measured in years, or in bills paid, or in hours at the office. It’s measured in moments. Those flashes that carve such a deep mark that, for a second, everything else disappears.

Maybe eternity is exactly that: a memory that never fades, a feeling that keeps burning even as time passes. And there are experiences that condense everything we are: desire, vulnerability, connection, pleasure, madness… all inside a single second that feels endless.

With Misty, it’s not about perfection or artifice. It’s about the essence, about what reminds us we are alive and that, sooner or later, we’re going to stop being here. And in that passage, wouldn’t it be beautiful to go right after having touched the sky?

Dying after a fuck with Misty wouldn’t be an ending, it would be a poetic closure. As if life, after giving you that, had nothing more left to offer.

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Office supplies.

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