THE EROTICISM OF JULIEN LALLOUETTE

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julienlallouette.com
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Millie Bobby Brown. Real or AI?

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THE ILLUSTRATIONS OF GREG STONES

In many of Greg Stones’ drawings, the same scene keeps appearing — one that is both simple and disconcerting: a woman, standing calmly, showing her breasts… in front of penguins, raccoons, rabbits, aliens, or animals that seem more surprised than aroused. There is no explicit sexual tension, no classic narrative, no explanation. Just the gesture. And the gaze of the other.

These are simple drawings, almost childlike in form, yet loaded with intention. Or rather, loaded with questions. Why show her breasts? Why to them? Why in the middle of snow, open fields, or an empty landscape? Stones doesn’t seem interested in answering. He prefers to set the scene and walk away, leaving the viewer alone with what they feel.





There is something deeply animal in these images. Something primitive. As if the human body, naked and without drama, were presented to creatures that do not judge, do not moralize, and do not interpret the gesture as provocation. They simply observe. The way an animal looks at something new without loading it with guilt, rules, or learned meanings.

That may be why they work so well. Because they reduce the body to what it is: a body. No discourse. No excuses. No need for justification. Faced with gazes that don’t know what to do with it — but also do not condemn it.

Greg Stones doesn’t seem to want to eroticize so much as to dislocate. To take nudity out of its sexual context and place it in a more absurd, more innocent, more instinctive space. As if reminding us that, before everything else, we are still animals looking at other animals… without really knowing why we do what we do.

And that’s where the charm is. And also the substance.



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The slow motion of the day.

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MERRY CHRISTMAS🎄

We don’t know if you’ve been good or bad this year. We don’t really care that much. We’ve never been here to judge anyone.
Just to keep you company during those dead moments, the long pauses, those times when the world slows down a bit and you feel like looking the other way.

So, from ALRNCN, we wish you a Merry Christmas. No posturing. No speeches. No obligation to smile more than necessary.
Hope you survive the family meals, that you don’t get stuck with the annoying brother-in-law, and that you find a little time to waste it the way you like.

Thanks for being there, for coming back, for stopping by. We’ll keep doing what we always do: not fixing your life, but making the ride a bit more enjoyable.

Happy holidays. 🎄



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“Ho, ho, ho”.

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THE INSTAGRAM OF THE DAY: BELDOTS

Beldots
Your favourite Aussie



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Let’s see how long it takes you to notice it.






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BOOBS#338 AND HAPPY 2026 TO EVERYONE

The last post of the year — allow me to dedicate it to one of the sagas I like the most. The one that always comes to mind first when I think about ALRNCN: boobs.
I’m not entirely sure why. Maybe that’s something you’d have to ask Freud. The thing is, they get me every time. I’m 100% team boobs. Very few things compare to a pair of great boobs. There’s something that comes close to perfection when boobs are well put together: the way they fall, the shape, the volume, the size of the nipple. That whole combination that, when it works, needs no explanation.

And no, I’m not talking about big or small. I like them all. Because boobs always go in context with the rest of the body. There are bodies that call for one type of boob and others that work better with a different one. Faces that match certain shapes or presences better. In the end, it’s all about balance. But if someone has great boobs… what can I say: you say yes to everything.
So yes, I’m closing the year with boobs. It could’ve been done another way, but it wouldn’t make sense. Because ALRNCN is this. It’s always been this. Looking at the female body without guilt, without weird speeches, without apologizing. Enjoying it. Period.

And since we’re wrapping up the year, I want to wish you all the best for 2026. The usual stuff: excitement, energy, projects, dreams. Thanks for being with us one more year, for being there, for stopping by, for coming back. I honestly hope I’ve entertained you, distracted you, and — even if just for a few minutes — helped you forget how rough life can be sometimes.

I wish you lots of luck in everything, but above all good health, because in the end that’s the one thing you can’t replace.
See you next year with the same energy and the same excitement I had the day I registered this domain and started this project, 23 years ago.

And yes. We’ll keep talking about boobs.



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JOHN MORRIS' SMALL SCULPTURES

John Morris is a British artist based in Australia. He moves confidently across different disciplines, but it’s through sculpture that he has truly been able to unlock his full creative potential and develop a distinctive style that’s instantly recognizable and full of personality. Here are some of his works so you can see it for yourself…



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One… two…

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THE INSTAGRAM OF THE DAY: NICOLETTE ROMO

Nicolette Romo
🌏 Published Model 💪Fitness Enthusiast
Ϟ૮(๑⚈ ․̫ ⚈๑)ა Pokémon ✨Proverbs 31:25



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It already smells like Christmas at ALRNCN.

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