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Published on 2025/06/09

THE EROTICISM OF JULIEN LALLOUETTE

Julien Lallouette (born in 1991 in Le Havre, France) is an art director and photographer based in London. His work revolves around analog photography, drawn by the texture of the grain, the medium’s unpredictable quirks, and the slow rhythm it demands—waiting before the shot, then paying close attention during development, all part of a creative ritual.

Beyond his commercial work, Julien creates personal projects where he captures friends, acquaintances, and models in intimate, domestic settings. These spaces allow people to simply be. There’s no posing, no pretending—just moments charged with honesty, rawness, and quiet emotional connection.








































































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julienlallouette.com
instagram.com/julienlallouette




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Millie Bobby Brown. Real or AI?








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THE EROTICISM OF BLK PNT

BLKPNT is the artistic alias of Steven Jackson, a photographer and videographer based in Frankfurt, Germany.
His work stands out for its fusion of a sensitive artistic vision with a solid technical mastery.

Steven’s portfolio ranges from intimate portraits for private clients to commercial productions and brand collaborations, always maintaining a coherent visual aesthetic: intimate, cinematic, and meticulously composed.

His style is defined by the use of natural light, dark tones, and a visual narrative that conveys emotional depth.
In the field of sensual art, this aesthetic takes on an especially powerful dimension, where sensuality is expressed with subtlety, elegance, and a strong emotional charge.

Far from being explicit, it focuses on the genuine connection between the subject and the camera, creating a visual language that is both intense and sophisticated.



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Meanwhile, at your neighborhood gym.






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PLAYING ON THE EDGE. PART 8

When it looked like we had wrapped up this saga, turns out we hadn’t. The Instagram algorithm keeps shoving these videos into my feed like it’s my daily diet. So here we are again, putting them out. If the content won’t stop popping up, how am I not going to keep sharing it?

No accidents, no slip-ups. It’s all intentional: creators who know exactly how to play with the framing, the timing, and the perfect prop that covers the bare minimum—then they move it at the exact second so what needs to be seen gets seen. A measured game that mixes thrill, strategy, and the promise of more followers.

The algorithm should censor it, but instead it seems fascinated by the formula. It feeds it to you over and over, like it also got hooked on the game. And in that tug of war, we carry on: videos that shouldn’t be there and yet there they are, bending the rules and keeping this saga alive.

Part 8. As long as they keep playing on the edge, I’ll keep bringing them here.





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You might have noticed that when attempting to join our Telegram Channel you get a message that flags our content as sensitive content, which ends up not letting you see anything; this means you have the parental control activated.
This means you have to go to the web version of Telegram https://web.telegram.org and log in, if you are not already. In the settings, in the "Privacy" section, find the option "Sensitive content" and activate "Disable filtering". As soon as you do, the Settings will automatically sync with the rest of your devices, including the iOS and macOS versions of the App Store.
From there you will be able to enter all the Adult Channels.





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Cucumber: source of water, fiber, and vitamin K.






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AMATEUR FLESH: LUIZA

Luizaconlaz says she shares boobs and wisdom online, and if she brings even half as much wisdom as she does boobs, trust me—her advice would always be welcome. Of course, sometimes the greatest wisdom is knowing exactly what to show and when to show it. And on that front, she’s unbeatable.



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SERVED ON A SILVER PLATTER

Some expressions suddenly become a little too literal. “Served on a silver platter” has always meant making things easy, handing them over without effort, like you don’t even have to lift a finger.

Here, the metaphor breaks and turns into an image. What’s usually just a figure of speech becomes a visual game so straightforward it leaves no room for interpretation. Elegance and boldness collide in a simple gesture that turns a cliché into an unexpected spectacle.



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Black Sabbath or...



Iron Maiden?






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RANDOM AI-GENERATED IMAGES VOL21

While AI accelerates, we’re still trying to understand it—and predict it.

Lately it feels like artificial intelligence isn’t just moving fast: it’s gone feral. In his latest interview, Geoffrey Hinton—the “godfather” of all this—drops a few unsettling truths: countries compete with countries, companies compete with companies, and when everyone floors the accelerator at once, there’s no such thing as a collective brake. Nobody wants to be the one to lift their foot while the rest pull ahead.

Hinton sketches a future where AI could replace much of intellectual work, widen the wealth gap, and strain democracy. He talks about superintelligence in 10–20 years, and about what’s already here: the overwhelming advantages of digital systems over humans (they copy for free, learn at another scale, don’t sleep). Then comes the awkward question: if automation doesn’t create enough new jobs this time, who’s paying the rent for those left out?





History says every technological revolution kills some jobs and creates others. The printing press, the steam engine, electricity, the internet… There was always work in the end—different work, but work. And yes, it’s also true that nobody in 1995 pictured influencers, community managers, or people making a living fine-tuning algorithms. Maybe that happens again. Or maybe not. If the curve steepens the way Hinton suggests, the adjustment could be faster and more brutal than we’re used to. Hence the talk of basic income, new social contracts, real lifelong learning (not a sticker), and regulation that doesn’t kill innovation—or hand the future to three players with server farms in the desert.

If you want to hear him unfiltered, the interview is here: watch the episode.

And now, back to our thing…

While the gurus decide whether they’ll save us or sack us, we stick to what we do: random images created by AI. Beautiful women, flawless skin that doesn’t exist, gazes nobody set, curves a network imagined after devouring millions of pixels. It’s synthetic, sure… and it still stirs something very human.

The paradox is delicious: maybe AI will take our jobs, worsen collective decisions, or multiply inequality—but today, today, look at what it already does. It fantasizes, provokes, and hooks. And here we are, finger on the mouse, thinking that maybe it’s worth living (and dying) with this spectacle in the background. Relax: the apocalypse isn’t here yet; in the meantime, enjoy the simulation.



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Elizabeth Hurley and the dress that left everyone stunned at the premiere of “Four Weddings and a Funeral” in 1994.



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THE EROTICISM OF RAINER BENZ

For Rainer Benz, nude photography is a way to explore and reveal the role of gender, to capture timeless beauty, and to provoke through what remains unseen.

His images may be “visually striking” or openly provocative, but they always invite us to contemplate the body from an artistic and thoughtful perspective.



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Magic, with Gabbie Carter.



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