THE COLOR WHITE VOL4And here we are: white. After an entire week talking about colors, shades, impossible names and some pretty questionable chromatic boundaries, we're finishing with the one color that seems to have decided
not to take part in any of those arguments.
Because there's something funny about white: on paper, it seems like the simplest color of them all. It doesn't need to scream for attention, it doesn't have to be particularly intense, and you're unlikely to hear two guys arguing for ten minutes about whether something is pearl white, off-white, ivory or nuclear white.
If it looks white, it's white as far as we're concerned, and we can peacefully get on with our lives.
But then white shows up on certain clothes and all that supposed discretion goes straight out the fucking window.
A white T-shirt, a shirt, a dress or, especially,
a good piece of white lingerie can attract a hell of a lot more attention than any color specifically designed to do exactly that. Maybe because it doesn't need much decoration. Maybe because it lets the shapes do all the work. Or maybe because our relationship with colors is a lot less sophisticated than we've spent this entire week pretending it is.
Either way, after making our way through greens, blues, lilacs, reds, yellows and blacks, we've finally reached the end of the road.
And we're finishing with white.
No mixtures, no complications and no need to check a Pantone chart to know exactly what the hell we're looking at.
Color week is over.
Now we can finally go back to focusing on what really matters.
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IT'S FRIDAY!
WHITEPLACE_1. PART 2Yesterday we began exploring the work of
Whiteplace_1 (白寺), a mysterious independent Chinese photographer who uses the body, fetishism and BDSM aesthetics as tools to construct his distinctive visual fantasies.
In his photographs, the model rarely appears as someone simply posing naked in front of the camera. Every gesture, pose and accessory seems to form part of a carefully staged performance.
The body becomes character, setting and language all at once.
The tension of the ropes, the anonymity of a mask and the apparent discomfort of certain positions aren't there merely to provoke. They also create contrast, introduce an element of mystery and encourage the viewer to imagine what might be happening both inside and beyond the frame.
It is precisely this interplay between beauty, vulnerability and domination that gives his work its identity. His photography can feel sensual, unsettling or hypnotic, depending on how long you decide to keep looking.
We continue with the second installment of Whiteplace_1.
# View the photos
- Expecto Patronum!