THE EROTICISM OF ILYA ISHENKO

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What a cute little puppy.

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THE ILLUSTRATIONS OF GREG STONES

In many of Greg Stones’ drawings, the same scene keeps appearing — one that is both simple and disconcerting: a woman, standing calmly, showing her breasts… in front of penguins, raccoons, rabbits, aliens, or animals that seem more surprised than aroused. There is no explicit sexual tension, no classic narrative, no explanation. Just the gesture. And the gaze of the other.

These are simple drawings, almost childlike in form, yet loaded with intention. Or rather, loaded with questions. Why show her breasts? Why to them? Why in the middle of snow, open fields, or an empty landscape? Stones doesn’t seem interested in answering. He prefers to set the scene and walk away, leaving the viewer alone with what they feel.





There is something deeply animal in these images. Something primitive. As if the human body, naked and without drama, were presented to creatures that do not judge, do not moralize, and do not interpret the gesture as provocation. They simply observe. The way an animal looks at something new without loading it with guilt, rules, or learned meanings.

That may be why they work so well. Because they reduce the body to what it is: a body. No discourse. No excuses. No need for justification. Faced with gazes that don’t know what to do with it — but also do not condemn it.

Greg Stones doesn’t seem to want to eroticize so much as to dislocate. To take nudity out of its sexual context and place it in a more absurd, more innocent, more instinctive space. As if reminding us that, before everything else, we are still animals looking at other animals… without really knowing why we do what we do.

And that’s where the charm is. And also the substance.



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The slow motion of the day.

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THE EROTICISM OF ANTON HARD

Anton Hard is a Amsterdam-based photographer whose work focuses on contemporary nude art. His style blends simplicity, natural light, and a strong aesthetic sensitivity, highlighting the elegance of the body without artifices and creating photographs that feel intimate, clean, and visually balanced, clearly reflecting his personal artistic vision.



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Working out is still in the TOP list of resolutions when a new year begins.

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THE EROTICISM OF BURAK BULUT

The nude art of Burak Bulut Yıldırım transforms the body into sculptural forms through light and geometry. His approach to nudity is subtle, emotional, and minimalist, closer to visual poetry than to provocation.



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A shower with Tessa Fowler.

You can watch many of her videos at this link




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HOME DELIVERY

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There are things that, no matter how much time passes, never wear out. We’ve seen them a thousand times, we know how they start, how they end, and still there’s always room for one more. And yes, we’re talking about those videos where the delivery guy gets the door opened by a naked woman.

For the viewer, it’s no longer provocative. There’s no surprise, no scandal, no moral shock. It’s a familiar format, almost domestic. Something you watch with a half-smile and then keep scrolling.
But change the point of view.

Put yourself for a moment in that delivery guy’s shoes.
He’s already done six or seven drops. Doors half-opened, people in a rush, someone polite, someone dry, someone who doesn’t even look you in the face. Routine work, automatic, emotionless. One more package, one more address.
And then, that door opens. No warning, no context, no mental preparation. A young, attractive woman, completely naked, standing right there. No filters, no screens, no “this is just an internet video.” Real. Right there. Two feet away.

That moment doesn’t get forgotten. It doesn’t matter how many videos you’ve watched. It doesn’t matter if, for the viewer, it’s nothing new. For him, it’s a scene that stays burned into his memory. One of those stories you still tell years later, even if no one quite believes you.
Because one thing is seeing nudity on a screen… and something very different is when life puts it right in front of you, without warning.

And that’s why these videos still work. Not because of what they do to the viewer, but because of what you imagine going through the mind of the person on the other side of the door.



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The slow-motion moment of the day.

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WALKING THE STREETS VOL4

The streets of a city work like the arteries of the human body. Through them flows everything that keeps the whole alive: people, noise, rush, goods, desires and conflicts. When one gets clogged, the rest feels it. When one goes quiet, something starts to fail far beyond that single point.
There are avenues that beat strongly, like main arteries, always crowded, always in motion. Others are narrower, calmer, almost capillaries where just enough passes through for the neighborhood to keep breathing. And then there are those streets nobody looks at, the secondary ones, the ones that seem unimportant… until they disappear and you realize they were the ones connecting everything else.

Within that constant flow, everything travels: people going to work, people who run away, people who search, people who get lost. Joy, frustration, routine, excess. Just like in the body, not everything that flows is clean or beautiful, but it is necessary for the system to keep functioning. When the flow is cut, when someone tries to control too much, the whole organism starts to suffer.
Cities, like bodies, can’t be understood from a single part. They are understood by observing movement, traffic, collisions and jams.



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Meanwhile, in the Southern Hemisphere.

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RANDOM AI-GENERATED IMAGES VOL28

Lately we keep hearing the same line: artificial intelligence is going to take our jobs.
And it’s probably true. Not everyone’s, not all at once, but many of them. Factories, offices, services, creative work, customer support… the sector doesn’t matter. If something can be automated and made cheaper, it will be.

And that’s where an uncomfortable question pops up: if people lose their jobs, who’s going to buy what companies produce?

Because the system has always worked the same way: you work, you get paid, you consume. Companies sell because there’s money on the other side. But if that “other side” loses its income, the equation starts to squeak. Badly.





The usual answer is optimistic: new jobs will appear, wealth will be redistributed, solutions will be found. Progress always ends up benefiting everyone.
But… does anyone really believe that those who concentrate power and money are losing sleep over it?

The famous 1% doesn’t need the 99% to live well. What it needs is to maintain its status. And that doesn’t depend on whether you or I have a job, but on staying on top. Money matters, sure, but power matters more. And power is not handed out out of goodwill.

Sometimes we think they’ll “have to find a solution”, otherwise the system will collapse. But maybe not. Maybe the system doesn’t collapse: it just becomes smaller and more closed. Fewer people inside, more people left outside.

It’s not a new idea. It’s been in countless movies: walled cities, elites living comfortably with every service available, and outside… whatever’s left. Survival, precariousness, chaos.
It’s always felt like science fiction. But so did many things we now consider completely normal.

So maybe the real question isn’t whether AI is going to take our jobs. The real question is: do the people in charge actually care if it does?
And the honest answer isn’t very optimistic.

Think about it.

And to make it easier to digest, I’m sharing AI-generated images with you. It’s not all bad.



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The human centipede returns.

The scene belongs to the porn parody The Human Sexipede.

The acting weight falls on actresses Jynx Maze and Sunny Lane. In the following links you can watch several scenes they’ve starred in throughout their film careers.

Jynx Maze porn videos

Sunny Lane porn videos




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