THE EROTICISM OF CHRISTY FLAHERTY

➡️ Let's do real, be real with Tantaly, the sex doll torso leader

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Halloween night.

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ELDEHEN’S NUDES

Eldehen is a photographer based in Brussels, Belgium, whose work explores the intersection between the human and the urban.
Trained as an electrical engineer with a focus on optics, he turned technical precision into a personal artistic eye.

His work spans several genres: model portraiture and fine-art nude.
In his images, the expressive power of the body meets the atmosphere of abandoned spaces, creating compositions that speak between the intimate and the monumental, the ephemeral and the timeless.



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You can’t tell what’s AI anymore—and what isn’t.

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THE WOMAN IN RED 2025

smm, david
The Woman in Red (La mujer de rojo), released in 1984, became a true cultural icon of the 80s, capturing the desire, temptation, and male fantasy of that era.

Starring Gene Wilder and Kelly LeBrock, the film stood out not just for its comedic storyline but also for the unforgettable image of LeBrock in her red dress, which perfectly embodied the modern femme fatale.

At a time when Hollywood was starting to explore bolder themes of sexuality and desire, The Woman in Red positioned itself as a comedy that blended humor with seduction, leaving an indelible mark on pop culture and on how cinema portrayed irresistible attraction.

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Excuse me, sir. Could you leave me alone?

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RANDOM AI-GENERATED IMAGES VOL21

While AI accelerates, we’re still trying to understand it—and predict it.

Lately it feels like artificial intelligence isn’t just moving fast: it’s gone feral. In his latest interview, Geoffrey Hinton—the “godfather” of all this—drops a few unsettling truths: countries compete with countries, companies compete with companies, and when everyone floors the accelerator at once, there’s no such thing as a collective brake. Nobody wants to be the one to lift their foot while the rest pull ahead.

Hinton sketches a future where AI could replace much of intellectual work, widen the wealth gap, and strain democracy. He talks about superintelligence in 10–20 years, and about what’s already here: the overwhelming advantages of digital systems over humans (they copy for free, learn at another scale, don’t sleep). Then comes the awkward question: if automation doesn’t create enough new jobs this time, who’s paying the rent for those left out?





History says every technological revolution kills some jobs and creates others. The printing press, the steam engine, electricity, the internet… There was always work in the end—different work, but work. And yes, it’s also true that nobody in 1995 pictured influencers, community managers, or people making a living fine-tuning algorithms. Maybe that happens again. Or maybe not. If the curve steepens the way Hinton suggests, the adjustment could be faster and more brutal than we’re used to. Hence the talk of basic income, new social contracts, real lifelong learning (not a sticker), and regulation that doesn’t kill innovation—or hand the future to three players with server farms in the desert.

If you want to hear him unfiltered, the interview is here: watch the episode.

And now, back to our thing…

While the gurus decide whether they’ll save us or sack us, we stick to what we do: random images created by AI. Beautiful women, flawless skin that doesn’t exist, gazes nobody set, curves a network imagined after devouring millions of pixels. It’s synthetic, sure… and it still stirs something very human.

The paradox is delicious: maybe AI will take our jobs, worsen collective decisions, or multiply inequality—but today, today, look at what it already does. It fantasizes, provokes, and hooks. And here we are, finger on the mouse, thinking that maybe it’s worth living (and dying) with this spectacle in the background. Relax: the apocalypse isn’t here yet; in the meantime, enjoy the simulation.



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Elizabeth Hurley and the dress that left everyone stunned at the premiere of “Four Weddings and a Funeral” in 1994.

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AMATEUR FLESH: SPOOKIE SHELBIE

Back in the day, you needed an agent, a studio, someone willing to bet on you and open the doors to pre-set channels. Today, thanks to the internet, the showcase is global and open 24/7.

That doesn’t mean it’s easy, but the tools are there: anyone with talent, presence, or just pure attitude can reach millions of people. And sometimes all it takes is one well-placed video to turn a complete unknown into the muse of hundreds of thousands of men.

That’s what makes discovering a new amateur so exciting: that unique moment when someone jumps from their bedroom straight onto the world’s screens.



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Insert coin.

Full scene

She’s Sandra Wellness, and in this link you can find more of her scenes.




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PLAYING ON THE EDGE. PART 7

Did you think this was over? Guess again. Here’s another round, because just when it seems like the algorithm has run out of tricks, it always finds a way to slip in one more video.

And that’s the thing: no matter how much you try to dodge it, Instagram keeps pushing. It latches onto a formula and won’t let go until you cave. Sometimes it’s overwhelming, sometimes addictive, but it always leaves you with that strange, teasing feeling of being stuck in a loop.

So as long as the game keeps going, we’ll keep at it. Part 7. Because if there’s content and it fits the vibe, why wouldn’t we keep playing on the edge?



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You can find much more content like this on our TELEGRAM CHANNEL

For Apple users
You might have noticed that when attempting to join our Telegram Channel you get a message that flags our content as sensitive content, which ends up not letting you see anything; this means you have the parental control activated.
This means you have to go to the web version of Telegram https://web.telegram.org and log in, if you are not already. In the settings, in the "Privacy" section, find the option "Sensitive content" and activate "Disable filtering". As soon as you do, the Settings will automatically sync with the rest of your devices, including the iOS and macOS versions of the App Store.
From there you will be able to enter all the Adult Channels.




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Oops!

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RANDOM AI-GENERATED IMAGES VOL22

Sometimes I think that if one day we all wear an earpiece with a Jarvis-style Iron Man whispering data and advice in real time, it won’t be that different from what we already are.
The idea is tempting: an augmented conscience, a digital Jiminy Cricket with access to all the information online, able to guide us, warn us, or even nudge us wherever it suits us most.

The upsides are obvious: instant knowledge, faster decisions, and never feeling alone with a question. Imagine you’re unsure about investing in something, what to say in a meeting, how to cook a dish, or even whether someone is lying—and that voice gives you an answer in seconds. It’d be like having an extra mind running in parallel.

The downside is what we rarely consider: what if that information is manipulated, biased, or outright made up? Then you wouldn’t have a neutral conscience—you’d have another voice steering your steps, taking you where others want you to go.





And here’s the paradox: we fear that future, but if you look closely, we’re already living in it.
Each of us is a bundle of biases, false beliefs, and stories seeded in our heads by others.
Some believe whatever they read in a headline, others repeat what they hear in their family or what their social-media bubble dictates. We all act convinced we’re choosing freely, when in reality we’re moving with partial, edited, and often interested information.

There are endless examples:

• You think you pick a product because “you like it,” when in fact you saw it in 20 disguised ads as recommendations.
• You think your political opinion is yours, but most of the arguments you use come from talk shows or headlines someone pre-cooked for you.
• Even when you decide what’s right or wrong, you do it through a hand-me-down cultural filter without noticing.

The difference between having a Jarvis in your ear or not might not be that big. What would change is how obvious it becomes: we’d finally admit that we’ve never been as free as we think, and there have always been outside voices shaping our conscience.

And since we’re talking about consciences, inner voices, and illusions of freedom, nothing like peeking at another kind of invented realities: the ones artificial intelligence creates when it designs women that look pulled from a dream. Unreal, yes—but irresistible to look at.



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Lunchtime.

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