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Published on 2025/10/10

THE EROTICISM OF ANDREAS PUHL

Andreas Puhl is a photographer passionate about nude and portrait work, dedicated to taking his art to the highest level.

Far from relying on digital alterations, Andreas aims to highlight authentic beauty and capture genuine emotions.
The result is images filled with sensitivity, strength, and a deeply moving aesthetic.




















































































➡️ Let's do real, be real with Tantaly, the sex doll torso leader





















































andreaspuhl.format.com




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The fascinating world of fashion.






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LOST BETWEEN HER BOOBS

Some fantasies run on pure proportion. No explanation needed: a cleavage becomes a stage, and someone suddenly fades into the background. One gesture, two curves, a gap that invites you to slip away, and that pause where the screen goes quiet.

We won’t overexplain it. Better to watch: short, clean clips where scale rules and your imagination does the rest. Here’s the selection. And if that disappear-between-the-lines vibe hooks you, their Instagram has plenty more variations on the same ritual.



# Watch videos




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Monday slow motion.






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TIK HOT VOL219

The best part of TikTok isn’t always what makes it to the front page — it’s what slips through the cracks, the stuff that doesn’t pass the filter.

That’s where TikHot begins: same dances, same razor-sharp transitions, same outfits planned to the last detail… but with an alternate ending. Here, the “challenge” doesn’t stop at a like: clothes fly off, eyes burn with heat, and the kind of clips that wouldn’t last two seconds over there turn into pure indulgence here.

It’s the B-side of what you already know: the forbidden side of viral dancing, the twist no one dares to show in public.

So get comfortable — today’s serving is TikHot Vol219. Less filter, more skin.



# Watch videos




You can find a lot more content like this on our TELEGRAM CHANNEL


For Apple users
You might have noticed that when attempting to join our Telegram Channel you get a message that flags our content as sensitive content, which ends up not letting you see anything; this means you have the parental control activated.
This means you have to go to the web version of Telegram https://web.telegram.org and log in, if you are not already. In the settings, in the "Privacy" section, find the option "Sensitive content" and activate "Disable filtering". As soon as you do, the Settings will automatically sync with the rest of your devices, including the iOS and macOS versions of the App Store.
From there you will be able to enter all the Adult Channels.





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Taylor Swift’s nipple.






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AMATEUR FLESH: 𝐂𝐫𝐢𝐦𝐬𝐨𝐧 𝐀𝐝𝐚

It’s Friday. And few things give me as much professional satisfaction as wrapping the week with a pair like Crimson’s.

It feels like coming home with a winter-ready trophy, like burying a game-winner in the final minute, like closing a deal that seemed impossible, acing an exam you barely studied for, or taking the last sip of a drink that hits just right.
That sweet feeling of knowing the week isn’t just done—it’s been finished in the best possible way.

We’re clocking out with everything on point, smiles on, and the promise—and the hope—that we’ll be back on Monday with more and better.



# View photos & videos




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The toxic one always shows up to ruin it.






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THE INSTAGRAM OF THE DAY: DARBYELYSE

DARBY ELYSE 🐯🍒
333🧿✨ B̷e̷ ̷K̷i̷n̷d̷ Be Real🦋
I stream and do other stuff 👾



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You can also follow us on our INSTAGRAM ACCOUNT




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He just asked me to marry him!






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ACRO POLISI’S BIG BOOBS

It’s getting harder and harder to tell what’s real and what’s artificial.
You watch a video and ask yourself: is this real or AI? Not long ago it was simple—if the scene looked too exaggerated, you just assumed it was fake.

Now it’s not that easy. Accidents, animals, people… everything looks so real your head says “yes,” but your gut says “no.” And sometimes it’s the other way around—you think it’s fake, and it turns out to be true.

That happened to me with a creator on Instagram. She posted a few videos where her boobs bounced in such a surreal way that I thought: no way, this has to be AI. But something made me wonder if maybe it was real.

I dug a little deeper and it turns out the videos were real—or at least they seemed to be. She was wearing nipple covers that made everything look much more exaggerated, almost unbelievable. But honestly, these days putting your hand in the fire isn’t what it used to be.

So here are some of those videos—you decide who to trust: your eyes or your gut.



# Watch videos




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– I’m looking for a bra.
– What size?
– For these.






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RANDOM AI-GENERATED IMAGES VOL21

While AI accelerates, we’re still trying to understand it—and predict it.

Lately it feels like artificial intelligence isn’t just moving fast: it’s gone feral. In his latest interview, Geoffrey Hinton—the “godfather” of all this—drops a few unsettling truths: countries compete with countries, companies compete with companies, and when everyone floors the accelerator at once, there’s no such thing as a collective brake. Nobody wants to be the one to lift their foot while the rest pull ahead.

Hinton sketches a future where AI could replace much of intellectual work, widen the wealth gap, and strain democracy. He talks about superintelligence in 10–20 years, and about what’s already here: the overwhelming advantages of digital systems over humans (they copy for free, learn at another scale, don’t sleep). Then comes the awkward question: if automation doesn’t create enough new jobs this time, who’s paying the rent for those left out?





History says every technological revolution kills some jobs and creates others. The printing press, the steam engine, electricity, the internet… There was always work in the end—different work, but work. And yes, it’s also true that nobody in 1995 pictured influencers, community managers, or people making a living fine-tuning algorithms. Maybe that happens again. Or maybe not. If the curve steepens the way Hinton suggests, the adjustment could be faster and more brutal than we’re used to. Hence the talk of basic income, new social contracts, real lifelong learning (not a sticker), and regulation that doesn’t kill innovation—or hand the future to three players with server farms in the desert.

If you want to hear him unfiltered, the interview is here: watch the episode.

And now, back to our thing…

While the gurus decide whether they’ll save us or sack us, we stick to what we do: random images created by AI. Beautiful women, flawless skin that doesn’t exist, gazes nobody set, curves a network imagined after devouring millions of pixels. It’s synthetic, sure… and it still stirs something very human.

The paradox is delicious: maybe AI will take our jobs, worsen collective decisions, or multiply inequality—but today, today, look at what it already does. It fantasizes, provokes, and hooks. And here we are, finger on the mouse, thinking that maybe it’s worth living (and dying) with this spectacle in the background. Relax: the apocalypse isn’t here yet; in the meantime, enjoy the simulation.



# See images




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Elizabeth Hurley and the dress that left everyone stunned at the premiere of “Four Weddings and a Funeral” in 1994.



instagram.com/elizabethhurley1




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