ALL IN ON RED VOL7Over the last few days, we've been making our way through a good chunk of the color chart. We've had
pink, fuchsia, magenta, green, blue, lilac... and at this point, there was one we simply couldn't leave out:
Red.
And thankfully, red is going to give us far fewer problems than lilac did. There's not much to argue about here.
Red is red.
Yes, I know someone will now show up ready to explain that there's
crimson, scarlet, vermilion, burgundy, cherry red, ruby and another thirty shades that I'm sure have extremely important differences for designers, painters and people capable of telling them apart without having to place two pieces of clothing side by side.
But we're not going to make life complicated. If you look at it and your brain says "red,"
then for the purposes of this post, it's red.
Besides, few colors need less explanation. Red has been doing its job perfectly well for centuries:
it grabs your attention, stands out and makes you look. It's on warning signs, sports cars, lips, dresses designed to make someone turn their head as they walk past and, of course, lingerie that nobody ever buys with the intention of going unnoticed.
So after spending all these days jumping from one color to another, it was time to maintain at least some editorial consistency and
make sure red didn't get left out.
You already know how this works: different girls, different videos and just one requirement to make the cut:
There has to be red.
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WHITEPLACE_1. PART 2Yesterday we began exploring the work of
Whiteplace_1 (白寺), a mysterious independent Chinese photographer who uses the body, fetishism and BDSM aesthetics as tools to construct his distinctive visual fantasies.
In his photographs, the model rarely appears as someone simply posing naked in front of the camera. Every gesture, pose and accessory seems to form part of a carefully staged performance.
The body becomes character, setting and language all at once.
The tension of the ropes, the anonymity of a mask and the apparent discomfort of certain positions aren't there merely to provoke. They also create contrast, introduce an element of mystery and encourage the viewer to imagine what might be happening both inside and beyond the frame.
It is precisely this interplay between beauty, vulnerability and domination that gives his work its identity. His photography can feel sensual, unsettling or hypnotic, depending on how long you decide to keep looking.
We continue with the second installment of Whiteplace_1.
# View the photos
- Expecto Patronum!