TIK HOT VOL228I’ve been thinking for a while about doing something
special today on
ALRNCN, mainly because it’s
December 31st. Something different, something that marks the day without falling into the usual stuff. And in the end, I figured that precisely to do something different, today the best option was
not to overcomplicate it.
So today I’m only going to share
some of the sagas that have been with us throughout this year. They’re not all there, and they’re not meant to be. They’re simply the first ones that came to mind. And maybe that’s exactly why they’re
the most representative. The ones that, one way or another,
define best what this website is.
Because in the end
ALRNCN isn’t just about themes, tags, or passing trends. It’s about
a way of looking. About
a selection. About
a criterion that repeats itself even as faces, formats, and contexts change. A
recognizable identity seal where, above all else,
quality and good taste come first.
Today
there’s no need for more.
Just
looking back for a moment, acknowledging
what has worked…
and
moving forward, as always.
# Watch videos
The slow motion of the day.
WITH MOM AT THE WATER PARKLast year we already shared some of her videos.
A mother at a water park with her son, enjoying the day, playing in the water — an
apparently innocent scene. The difference was her:
very attractive, wearing a minimal bikini, aware of the camera and
the reaction it triggers. The contrast did the rest.
The videos
went viral. Millions of views,
massive attention and, as a logical consequence,
more followers on her blue account. The
family context was the wrapper; the
real spotlight was on her. And it worked.
This year, after checking her profile again, the story repeats itself.
Same setting,
same formula,
same type of content. The kid has grown… and
so have her followers. When something works, the natural thing to do is to
stick with it. The internet rewards repetition when the mix is right.
There’s nothing
explicit in the videos. Nothing really “happens.” And yet,
there’s something else. Something that’s not in what takes place, but in
how it’s framed and
why it’s consumed. The water park is almost an
excuse. The video lives in that
blurry line between the everyday and the calculated.
From there,
everyone draws their own conclusions. About
exposure, about
context, about whether everything is acceptable when the content is “
apparently” innocent. This isn’t an accusation or a verdict. It’s simply
putting the pieces on the table and looking at the whole picture.
I don’t judge.
I just share.
# Watch video
The slow-motion moment of the day.