SOLEDAD FERNANDEZ ARANA'S NUDE PHOTOGRAPHY

➡️ Let's do real, be real with Tantaly, the sex doll torso leader



















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THE INSTAGRAM OF THE DAY: NATALIEEXKING

natalie king
awkward girl
.・。.・゜✭・.・✫・゜・。.



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The blonde in the red dress from The Matrix

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EXHIBITING IN PUBLIC PLACES VOL31

It’s not about being seen. It’s about the fact that they could be seen. That possibility is what holds the scene together. What turns a simple gesture into something loaded with intention. What makes the video work without needing to exaggerate anything.

A public place adds value. It adds tension. Because it’s not the same to do it in a bedroom as it is to do it where, in theory, you shouldn’t. A supermarket aisle becomes a stage, and every quick glance around adds another layer of boldness and complicity with the person watching from the other side of the screen.



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How to unlock adult content on Telegram (Apple, Android, or any device)

If you try to open our Channel and Telegram shows a warning about adult content and won’t let you in, it means the restriction filter is turned on.
Just go to https://web.telegram.org, log in, and open:
Settings → Privacy → Sensitive content
Turn on “Disable filtering” and you’re good to go.

The change syncs automatically with your Telegram app on any device.




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⬇️ and this, gentlemen, is what makes the world go round ⬇️

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THE ILLUSTRATIONS OF GREG STONES

In many of Greg Stones’ drawings, the same scene keeps appearing — one that is both simple and disconcerting: a woman, standing calmly, showing her breasts… in front of penguins, raccoons, rabbits, aliens, or animals that seem more surprised than aroused. There is no explicit sexual tension, no classic narrative, no explanation. Just the gesture. And the gaze of the other.

These are simple drawings, almost childlike in form, yet loaded with intention. Or rather, loaded with questions. Why show her breasts? Why to them? Why in the middle of snow, open fields, or an empty landscape? Stones doesn’t seem interested in answering. He prefers to set the scene and walk away, leaving the viewer alone with what they feel.





There is something deeply animal in these images. Something primitive. As if the human body, naked and without drama, were presented to creatures that do not judge, do not moralize, and do not interpret the gesture as provocation. They simply observe. The way an animal looks at something new without loading it with guilt, rules, or learned meanings.

That may be why they work so well. Because they reduce the body to what it is: a body. No discourse. No excuses. No need for justification. Faced with gazes that don’t know what to do with it — but also do not condemn it.

Greg Stones doesn’t seem to want to eroticize so much as to dislocate. To take nudity out of its sexual context and place it in a more absurd, more innocent, more instinctive space. As if reminding us that, before everything else, we are still animals looking at other animals… without really knowing why we do what we do.

And that’s where the charm is. And also the substance.



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ExtraBall
The slow motion of the day.

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BOOBS#338 AND HAPPY 2026 TO EVERYONE

The last post of the year — allow me to dedicate it to one of the sagas I like the most. The one that always comes to mind first when I think about ALRNCN: boobs.
I’m not entirely sure why. Maybe that’s something you’d have to ask Freud. The thing is, they get me every time. I’m 100% team boobs. Very few things compare to a pair of great boobs. There’s something that comes close to perfection when boobs are well put together: the way they fall, the shape, the volume, the size of the nipple. That whole combination that, when it works, needs no explanation.

And no, I’m not talking about big or small. I like them all. Because boobs always go in context with the rest of the body. There are bodies that call for one type of boob and others that work better with a different one. Faces that match certain shapes or presences better. In the end, it’s all about balance. But if someone has great boobs… what can I say: you say yes to everything.
So yes, I’m closing the year with boobs. It could’ve been done another way, but it wouldn’t make sense. Because ALRNCN is this. It’s always been this. Looking at the female body without guilt, without weird speeches, without apologizing. Enjoying it. Period.

And since we’re wrapping up the year, I want to wish you all the best for 2026. The usual stuff: excitement, energy, projects, dreams. Thanks for being with us one more year, for being there, for stopping by, for coming back. I honestly hope I’ve entertained you, distracted you, and — even if just for a few minutes — helped you forget how rough life can be sometimes.

I wish you lots of luck in everything, but above all good health, because in the end that’s the one thing you can’t replace.
See you next year with the same energy and the same excitement I had the day I registered this domain and started this project, 23 years ago.

And yes. We’ll keep talking about boobs.



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AMATEUR FLESH: NOTJUST_KNEED

Well then, my friend, here we are in 2026. Hopefully you’ll keep sticking with us and won’t miss anything we’ll be sharing throughout this new year. We don’t know what the future holds, but I hope we’ll discover it together, just like we’ve been doing so far.

I’ll leave you with some photos and a video of Notjust_kneed, another one of those empowered women who’s trying to make her way forward without filters, using her own body and virtual sex as a form of expression and connection with anyone who wants to enjoy her company.

Take care and see you on Monday.



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Zip ties.

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WITH MOM AT THE WATER PARK

Last year we already shared some of her videos. A mother at a water park with her son, enjoying the day, playing in the water — an apparently innocent scene. The difference was her: very attractive, wearing a minimal bikini, aware of the camera and the reaction it triggers. The contrast did the rest.

The videos went viral. Millions of views, massive attention and, as a logical consequence, more followers on her blue account. The family context was the wrapper; the real spotlight was on her. And it worked.

This year, after checking her profile again, the story repeats itself. Same setting, same formula, same type of content. The kid has grown… and so have her followers. When something works, the natural thing to do is to stick with it. The internet rewards repetition when the mix is right.
There’s nothing explicit in the videos. Nothing really “happens.” And yet, there’s something else. Something that’s not in what takes place, but in how it’s framed and why it’s consumed. The water park is almost an excuse. The video lives in that blurry line between the everyday and the calculated.

From there, everyone draws their own conclusions. About exposure, about context, about whether everything is acceptable when the content is “apparently” innocent. This isn’t an accusation or a verdict. It’s simply putting the pieces on the table and looking at the whole picture.
I don’t judge. I just share.



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The slow-motion moment of the day.

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