PASCAL CHAPUIS’ NUDES

➡️ Let's do real, be real with Tantaly, the sex doll torso leader































































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We’re tuning in live from the locker room.

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THE ILLUSTRATIONS OF GREG STONES

In many of Greg Stones’ drawings, the same scene keeps appearing — one that is both simple and disconcerting: a woman, standing calmly, showing her breasts… in front of penguins, raccoons, rabbits, aliens, or animals that seem more surprised than aroused. There is no explicit sexual tension, no classic narrative, no explanation. Just the gesture. And the gaze of the other.

These are simple drawings, almost childlike in form, yet loaded with intention. Or rather, loaded with questions. Why show her breasts? Why to them? Why in the middle of snow, open fields, or an empty landscape? Stones doesn’t seem interested in answering. He prefers to set the scene and walk away, leaving the viewer alone with what they feel.





There is something deeply animal in these images. Something primitive. As if the human body, naked and without drama, were presented to creatures that do not judge, do not moralize, and do not interpret the gesture as provocation. They simply observe. The way an animal looks at something new without loading it with guilt, rules, or learned meanings.

That may be why they work so well. Because they reduce the body to what it is: a body. No discourse. No excuses. No need for justification. Faced with gazes that don’t know what to do with it — but also do not condemn it.

Greg Stones doesn’t seem to want to eroticize so much as to dislocate. To take nudity out of its sexual context and place it in a more absurd, more innocent, more instinctive space. As if reminding us that, before everything else, we are still animals looking at other animals… without really knowing why we do what we do.

And that’s where the charm is. And also the substance.



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The slow motion of the day.

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AMATEUR FLESH: ISABELLA

With Isabella, words are honestly unnecessary, so I won’t add anything else.



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Whatever you don’t want, you can give it to me.

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THE EROTICISM OF ANTON HARD

Anton Hard is a Amsterdam-based photographer whose work focuses on contemporary nude art. His style blends simplicity, natural light, and a strong aesthetic sensitivity, highlighting the elegance of the body without artifices and creating photographs that feel intimate, clean, and visually balanced, clearly reflecting his personal artistic vision.



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Working out is still in the TOP list of resolutions when a new year begins.

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AMATEUR FLESH: SOIKA

In a time when the offer feels almost infinite, choosing just one thing has become complicated. There are stimuli everywhere, endless formats, new platforms popping up every month, and an attention span that keeps getting more fragmented. In that landscape, content creators are constantly balancing between specializing and adapting.

The usual —and often the smartest— move is to focus on a specific niche, fine-tune it, go deeper, and become a reference. Playing it safe. But not everyone works the same way, and not everyone has to. Some profiles stand out precisely for the opposite reason: their ability to shift, to fit into different contexts without losing who they are.





That’s the case with Shoika. Our amateur, flesh-and-blood protagonist doesn’t stick to a single version of herself. She has something that can’t be manufactured or easily copied: range. She fits into very different scenarios and feels authentic in all of them. The girl you’d introduce to your parents without raising any eyebrows. The one you’d take to a comic con and who’d blend in effortlessly. Or the one you’d run into at a party, late at night, in a nearly cyberpunk setting, neon lights included.

It’s not just about aesthetics or outfits. It’s about attitude, body language, the way she looks into the camera and connects with whoever’s on the other side. Shoika doesn’t play a fixed character; she adapts to the moment and to the kind of fantasy being explored without it ever feeling forced.

And in a context where users increasingly look for personalized experiences, that versatility is pure gold. Because it widens the attention spectrum, but also deepens the connection. It’s not about trying to cover everything without direction, but about knowing when and how to change skins.

That’s the difference between racking up views and building real interest. And Shoika seems to have that pretty clear.



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IBUYAMBO YAMAMPONDO

The Ibuyambo YamaMpondo is a cultural heritage festival held in South Africa that focuses on Mpondo culture, not only as tradition, but as a tool for the future. It’s not an event designed to look back, but to connect identity and personal growth, especially among young people.

The festival’s main goal is to empower young people, helping them make informed decisions about their lives, their bodies, and their role within the community. Through education, values such as self-love, respect, and responsibility are reinforced, always from a cultural and collective perspective.

During the event, traditional ceremonies, educational activities, music festivals, and contests like Miss & Mr Inkciyo take place, aiming to create positive role models and promote self-esteem, leadership, and social commitment.



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Squats.

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BOOBS#338 AND HAPPY 2026 TO EVERYONE

The last post of the year — allow me to dedicate it to one of the sagas I like the most. The one that always comes to mind first when I think about ALRNCN: boobs.
I’m not entirely sure why. Maybe that’s something you’d have to ask Freud. The thing is, they get me every time. I’m 100% team boobs. Very few things compare to a pair of great boobs. There’s something that comes close to perfection when boobs are well put together: the way they fall, the shape, the volume, the size of the nipple. That whole combination that, when it works, needs no explanation.

And no, I’m not talking about big or small. I like them all. Because boobs always go in context with the rest of the body. There are bodies that call for one type of boob and others that work better with a different one. Faces that match certain shapes or presences better. In the end, it’s all about balance. But if someone has great boobs… what can I say: you say yes to everything.
So yes, I’m closing the year with boobs. It could’ve been done another way, but it wouldn’t make sense. Because ALRNCN is this. It’s always been this. Looking at the female body without guilt, without weird speeches, without apologizing. Enjoying it. Period.

And since we’re wrapping up the year, I want to wish you all the best for 2026. The usual stuff: excitement, energy, projects, dreams. Thanks for being with us one more year, for being there, for stopping by, for coming back. I honestly hope I’ve entertained you, distracted you, and — even if just for a few minutes — helped you forget how rough life can be sometimes.

I wish you lots of luck in everything, but above all good health, because in the end that’s the one thing you can’t replace.
See you next year with the same energy and the same excitement I had the day I registered this domain and started this project, 23 years ago.

And yes. We’ll keep talking about boobs.



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