Published on 2026/02/12
TRAVELING BY CAR VOL13When we take a trip, we usually focus only on arriving: the hotel, the summit, the destination marked on the map. But in reality, what we remember most afterward isn’t the moment we got there — it’s everything that happened along the way.
Life works the same way. We fixate on goals: landing a job, making more money, reaching a specific milestone. And sure, hitting those goals feels good. But that feeling doesn’t last long.
What truly changes us is the process. The effort, the mistakes, what we learn, and how we grow as we move forward.
And once you reach one goal, another one usually shows up. If you only know how to live thinking “I’ll be happy when I get there,” you’ll never really enjoy the present.
It’s not just about arriving, it’s about how you move through the journey.
In the end, the destination matters — but
it’s during the journey that everything actually happens.
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DIY vacuum therapy.
Published on 2026/02/12
SEEDANCE 2.0 AND THE NEW LANGUAGE OF VISUAL STORYTELLINGChances are you’ve already seen a video made with
Seedance 2.0. If nobody told you it was AI, you probably assumed it was a normal production. Good camera work, good lighting, smooth movement—scenes that look like they were actually shot.
But nope.
No camera.
No shoot.
No crew behind it.
Just
text.
Seedance 2.0 is an
AI tool that generates video from what you write. You literally describe the scene—what’s happening, what the environment looks like, what kind of light you want, what emotional vibe you’re going for—and the machine turns it into
moving images.
And this is where it gets interesting.
Up until now, making anything “serious” in video meant
money, gear, technical skills, and a whole lot of infrastructure. If you wanted to produce a quality short film, you needed cameras, lighting, editing, VFX… the whole setup.
Now you need
taste—and the ability to clearly explain what you want.
And that changes the
rules of the game.
That doesn’t mean big studios are going to disappear. If anything, they’re the first ones testing tools like this. Because if you can
speed up workflows, make iterations cheaper, or visualize ideas before you shoot them… why wouldn’t you?
But at the same time, someone at home can create something that visually competes with productions that used to cost millions.
That part is
new.
What’s getting “cheap” is the technical side. What’s still rare and difficult is having
good taste. Knowing how to tell a story. Having
judgment. Having something worth saying.
AI can generate
spectacular visuals.
But it can’t decide for you what’s actually worth telling.
And that’s the key: we’re not watching the end of professional filmmaking. We’re looking at a
new tool.
Cinema didn’t die when sound arrived.
It didn’t die when digital took over.
It didn’t die when CGI became standard.
It
adapted.
And the same thing is happening again.
In the near future we’re going to see
ads created almost in real time, short films made by a single person with insane quality, indie series with big-studio aesthetics, and stories tailored more and more to different audiences.
But all of that still needs something that isn’t easy to automate:
connecting with people.
Because you can have the best tool in the world… and still make something
mid.
Technology won’t be the difference-maker.
Taste will.
Seedance 2.0 isn’t magic.
It’s a
lever.
And the people who learn how to use it with intention, clarity, and vision are going to have a
massive advantage.
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🎵 Spiderman, Spiderman!
Does whatever a spider he can.
Spins a web any size,
Catches thieves, just like flies.
Look out! Here comes the Spiderman! 🎵