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Published on 2019/05/07

GENE ORYX 2019

Devoting a large part of your life to your passion is a priceless luxury. The good Gene Oryx has been investing his time in photography and he has been surrounded by beautiful models for many years, whom he photographs nude by the way... I want to be like him when I grow up.






























































































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RANDOM AI-GENERATED IMAGES VOL31

There was a time, not that long ago, when images generated by artificial intelligence had something unsettling about them. Not because of what they showed, but because of how they did it. Faces that looked fine until you stared a second longer, hands that didn’t quite fit, skin that felt too smooth, empty gazes, expressions frozen somewhere between human and artificial. They were interesting, sure, but it was obvious you were looking at tests, experiments, attempts at something that was still under construction.

If you go back through the early entries of this series, you’ll see exactly that. It’s not just a collection of images; it’s almost a small timeline of how the technology has evolved right in front of us. Without really meaning to, these galleries have ended up working as a pretty clear record of how far AI has jumped in a short time.




Because what we have now is something different. The lighting no longer looks painted on, bodies feel coherent, gestures look natural, and scenes are starting to carry a real photographic feel that would have been hard to imagine just a couple of years ago. Where there used to be experimentation, now there’s intention. Where you used to see the trick, now you have to look for it.

In that sense, this series has become something more than just a compilation of suggestive images. It has turned, almost by accident, into a way of measuring technological time. If someone wants to see how much AI image generation has changed, there’s no need to look up reports or comparisons — just check the first entries and compare them with today’s.

And the interesting part is that this doesn’t seem to have hit a ceiling yet. If the jump over the last two years has been like this, what comes next could reshape how we understand photography, visual creation, and everything that used to depend on a camera and someone standing in front of it.
For now, the only certain thing is that the evolution keeps moving forward, entry by entry. And this one is simply number 31.



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That’s why it’s always important to wear a helmet on site.






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THE COLOR WHITE VOL3

If yesterday we shared a post centered around the color black, today it’s time for one led by white. Not a whim, not a coincidence. It’s about balance. Call it cosmic, universal, or just common sense — when things lean too far in one direction, sooner or later everything starts to shake.

Nature works this way. Everything exists in a state of constant adjustment. Day and night. Calm and storm. Creation and destruction. Even what looks like chaos usually follows an invisible search for equilibrium. And when that balance breaks, excess takes over… until everything eventually collapses under its own weight.

The same happens beyond nature. In us. In how we live, what we consume, what we desire. Opposing forces coexist all the time: discipline and impulse, order and chaos, good and bad. One cannot exist without the other, because each one gives meaning to its opposite.

So after black comes white. Light after shadow. The contrast that allows everything else to make sense. Because if only one extreme existed, it would eventually lose all meaning. Excess overwhelms, and even intensity needs a pause to keep working.

Today we shift the tone and let balance do its thing. Not to compensate, but because without it, sooner or later, everything falls apart.



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This whole Therian phenomenon might be getting a little out of hand.






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VIKTOR KORNEEV 2026

We’re once again visiting the excellent portfolio of photographer Viktor Korneev, to enjoy some of the new photographs he has shared.



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Where do you go to let your frustration out when everything is so expensive?






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I’LL BUY YOU A DRINK VOL6

A bar, a drink in hand, music in the background, laughter, looks… and that exact moment when someone decides the night can go a little further.



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Cutting through the pile of snow.





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AMATEUR FLESH: MAI♡

The internet has changed many things, but one of the most obvious transformations has been how adult content is marketed and distributed. What used to be concentrated in studios, production companies, and very specific circuits is now part of its own ecosystem, where payment platforms, social networks, personal pages, and entire communities coexist around monetizing exposure of the body and sexuality. This isn’t a new phenomenon, but it’s one that has grown at an enormous pace in a very short time.

Social normalization has also played its part. Even if controversy hasn’t disappeared, it’s becoming less unusual for someone to try their luck on these platforms. It’s talked about more openly, shared on social media, featured in reports, statistics, and testimonials… and above all, there are stories of people claiming they’ve made a lot of money. That’s probably the main attraction: the idea that there’s a relatively fast way to improve income in a context where job insecurity, tight salaries, and increasingly difficult financial expectations push people to look for alternatives.

But the reality, as often happens, is far less uniform than it may seem from the outside. Just as not everyone becomes an influencer with millions of followers, not everyone who tries adult content ends up earning high income or achieving stability. The competition is huge, visibility takes work, and what might look easy from the outside actually requires consistency, exposure, and ongoing management of one’s image.

Even so, demand exists and will continue to exist. Anything related to sex has always attracted an audience, and on the internet that demand finds increasingly direct channels. Among those who try, some approach it professionally, others simply experiment, and others treat it as just another stage in their personal or economic path.

Today we bring a new batch of amateur content, this time featuring photos of someone called Mai, who joins that long list of names that have stepped into this digital showcase where the line between the private and the public grows thinner every day.



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If boobs wore glasses, the nipple would be the nose.






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RANDOM AI-GENERATED IMAGES VOL30

This new installment of Random AI Images once again brings together a selection of images generated by artificial intelligence where the focus is clear: attractive women, eroticism, and sexuality. This is nothing new. This kind of content has been circulating for quite some time and is becoming increasingly familiar to anyone who spends a bit of time browsing the internet.

What’s interesting isn’t just what you see, but why it works. AI isn’t inventing a new kind of eroticism or proposing strange new desires. In reality, it does something much simpler — and at the same time more revealing: it reorganizes the desire that already exists.




These images don’t come out of nowhere. They are the result of millions of visual references accumulated over the years: bodies that have been photographed, shared, desired, and consumed by real people. AI doesn’t create desire — it distills it. It delivers a refined version of whatever has statistically worked most often.

That’s why the beauty shown here feels somewhat peculiar. It isn’t random, diverse, or unpredictable. It’s optimized beauty. Very specific proportions, near-perfect symmetry, features designed to trigger a fast response in the brain. These aren’t bodies meant to exist — they’re meant to appeal.

And that nuance marks an important difference. AI isn’t heading toward more explicit or more extreme eroticism. The path forward isn’t about turning up the volume, but about fine-tuning precision. Adjusting the stimulus more and more closely to what works, to what sparks desire, to what fits with learned preferences.

The future of eroticism doesn’t seem to be about greater transgression, but about increasing personalization. More precise images, more comfortable ones, more aligned with what each person expects to find. Less surprise, less friction, less error.

These images aren’t a futuristic fantasy or a break from the past. They work precisely because they’re a well-calibrated mirror of the present. They don’t show what AI imagines, but what we’ve been consuming, pointing at, and validating for years without much questioning.



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Nerf gun with a thumbtack.






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