DMITRY PLEKHANOV 2026

FUCK ANY GIRL WITH AI


























































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The parking lot is flooded.

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THE SOFT POWER OF JAPAN AND KOREA

For decades, when people talked about conquering a country, they usually thought of armies, wars, or invasions. Today, things work a little differently. You can conquer half the world without firing a single shot. All you need is to create a culture that everyone else wants to consume, imitate, and share.

That’s what we call soft power: the ability to influence other countries through culture, entertainment, fashion, music, or film instead of military force or economic pressure.

Japan has been doing it for decades through anime, video games, and food. South Korea took notes and answered with K-pop, K-dramas, cosmetics, and an entire entertainment industry capable of attracting millions of people around the world.

And the interesting part is that they’re not just exporting songs or TV shows. They’re also selling an aesthetic. Colors, hairstyles, clothes, choreography, filming styles, lighting... A visual identity that inspires more and more creators, even outside Asia.

Because that’s exactly how soft power works. It doesn’t force anyone. It simply makes millions of people want to be part of that world.



# Watch the videos




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Think the worst and you’ll probably be right.

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AMATEUR FLESH: APRIL FLOWERS🍑

Looking at April’s Reddit profile, I don’t think you need to be Sherlock Holmes to figure out which part of her body she’s most proud of.



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STEPHANE LEPINE 2026

We first discovered Stéphane Lépine’s work in late 2014, and more than a decade later, he remains one of those artists whose work is worth revisiting from time to time.

Born in France and currently based in Germany, Stéphane Lépine is a difficult creator to categorize. Painter, illustrator, photographer... his work moves effortlessly between different artistic disciplines, using each one as a different way to express his creativity.



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Activating the Bat-Signal.

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AMATEUR FLESH: ROSE🌹

The Internet hasn’t just changed the way we consume content; it has also blurred the line between professional and amateur quite a bit.

Back in the early 2000s, the difference seemed pretty clear. Professional content was produced with proper resources, equipment and commercial intent. Amateur content, on the other hand, was something people recorded at home with no greater purpose than having fun, experimenting or showing off in front of a camera.

Then social media, video platforms, subscriptions and the possibility of monetizing practically anything came along. Homemade no longer necessarily meant that there wasn’t any money involved. Today, someone can film themselves on their phone in their bedroom, without professional lighting or a production crew, and turn that seemingly improvised content into a pretty profitable business.





The same thing has happened in many other fields. In the past, if you wanted to share your opinions with an audience, you needed to work for a newspaper, radio station or television network. Now, all you need to do is open a channel and start talking from your living room. Musicians can produce songs in their bedrooms, streamers broadcast games from their desks, and anyone can become a food critic after ordering a burger and pointing their phone at it.

The amateur aesthetic has become professional, while professional content has learned how to look amateur. That sense of closeness, the apparent lack of preparation and the feeling that you’re watching something spontaneous create a connection that many traditional productions simply can’t achieve.

That fusion is even more obvious in adult content. The photos may look like they were taken without much planning, and the videos may retain that intimate, homemade feel, but there’s usually a strategy, an audience and a link behind it all that can turn every visit into a potential subscriber.

It’s no longer that easy to tell the difference between someone who gets naked for the thrill of showing off and someone who does it for business. Although, honestly, who cares?



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MY PRIVATE FIGURINE COLLECTION

For a long time, painting miniatures was mostly associated with soldiers, armies, scale models, and strategy games. Tiny figures made of metal, resin, or plastic that had to be brought to life with a ridiculously small brush, plenty of patience, and a steady hand that didn't look like it belonged to someone who'd just downed four coffees. Over the years, the hobby grew, became more specialized, and blended with other worlds until it reached manga, anime, video games, and pretty much any character someone considered worthy of a spot on a shelf.

Because buying a finished figure is one thing. Creating it yourself is something completely different.

Japanese figure collecting has a long history behind it, especially around garage kits, figures sold unassembled and unpainted so hobbyists could prepare and finish them themselves. In Japan, this culture really began gaining momentum during the 1980s, fueled by conventions, specialty stores, and a community of fans who wanted figures of characters that often didn't even exist as commercial products.

That turned collectors into something more than just buyers. Pieces had to be assembled, imperfections corrected, joints sanded, primer applied, and finally you had to face that little three-dimensional canvas, completely gray or white, that still barely resembled the character you had in your head.

And that's probably where the most interesting part of the process begins.





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Dancing.

instagram.com/kirakisey




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JOSEPH DEL DUCA’S NUDE PHOTOGRAPHY. PART 1

Joseph Del Duca has developed a visual style built around natural light, intimacy, and simplicity. His portrait, glamour, and artistic nude photography stands out for its clean compositions, intimate atmospheres, and authentic portrayal of the human body.

Moving away from the artificiality of traditional glamour photography, his work seeks a more direct and natural kind of beauty, creating images with remarkable visual and emotional power.

Since we’ve gathered quite a lot of his work, we’ve decided to split it into two parts. Today we’re sharing the first selection, and tomorrow we’ll return with the second.



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Today’s slow-motion clip.

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