DMITRI ELIZAROV 2020

➡️ Let's do real, be real with Tantaly, the sex doll torso leader

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AMATEUR FLESH: CREAMYMOANA

Today I stumbled across another one of those X accounts that, at first glance, look like they belong to an actual content creator. I’m going to share photos and videos from it because they’re worth it, but I won’t lie: something feels off.

This isn’t the first time — and it won’t be the last. You can tell right away when you see that 90% of the timeline is nothing but retweets of other girls. That’s when the doubts kick in. A real creator might do collabs or give someone a shoutout here and there, but they don’t spend their whole profile promoting others.

There are a few possible scenarios:

• Fake accounts (impersonation): profiles pretending to be the creator, using stolen photos, with the sole purpose of driving traffic to paid links like OnlyFans, pirate sites, or outright scams.
• Run by third parties/agencies: it’s not her managing the account, but a community manager or agency handling several girls at once, cross-retweeting between them.
• Self-promo networks (shoutout for shoutout): a “you retweet me, I retweet you” cycle that spirals out of control until the account looks more like a billboard than a personal profile.

Whatever the case, when you see a profile that lives almost entirely on retweeting others, odds are the real creator isn’t behind it. From there, it’s up to you. Don’t say I didn’t warn you.



# See photos and videos




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Art Attack.

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TIK HOT VOL219

The best part of TikTok isn’t always what makes it to the front page — it’s what slips through the cracks, the stuff that doesn’t pass the filter.

That’s where TikHot begins: same dances, same razor-sharp transitions, same outfits planned to the last detail… but with an alternate ending. Here, the “challenge” doesn’t stop at a like: clothes fly off, eyes burn with heat, and the kind of clips that wouldn’t last two seconds over there turn into pure indulgence here.

It’s the B-side of what you already know: the forbidden side of viral dancing, the twist no one dares to show in public.

So get comfortable — today’s serving is TikHot Vol219. Less filter, more skin.



# Watch videos




You can find a lot more content like this on our TELEGRAM CHANNEL


For Apple users
You might have noticed that when attempting to join our Telegram Channel you get a message that flags our content as sensitive content, which ends up not letting you see anything; this means you have the parental control activated.
This means you have to go to the web version of Telegram https://web.telegram.org and log in, if you are not already. In the settings, in the "Privacy" section, find the option "Sensitive content" and activate "Disable filtering". As soon as you do, the Settings will automatically sync with the rest of your devices, including the iOS and macOS versions of the App Store.
From there you will be able to enter all the Adult Channels.




BolaExtra
Taylor Swift’s nipple.

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THE INSTAGRAM OF THE DAY: LOLA JUAREZ

lola juarez
♡



# View photos


You can also follow us on our INSTAGRAM ACCOUNT




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Parties you’ll never get invited to.

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AMATEUR FLESH: PENNY PETITE

Maybe Penny Petite is the best discovery of the week, but hey — it’s only Tuesday and there’s still plenty more to come.

The good thing is, right from the start we’ve stumbled across someone who has everything we love: attitude, freshness, and that spark of naughtiness that hooks you instantly.

At ALRNCN we love when profiles like this pop up, because it’s not just about watching, it’s about discovering — about finding someone who suddenly becomes the name you can’t get out of your head.

And today, without a doubt, that name is Penny Petite.

This is ALRNCN, and this is Penny Petite.



# See photos




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What’s commonly known as a vicious circle.

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THE PHOTOGRAPHY OF CATHY RAYNAUD

Cathy Raynaud is a French photographer based in Lyon, specializing in portraits and artistic nude photography with an elegant and refined style.
Her work avoids mere exhibitionism; instead, it aims to tell a story: a state of emotion, a quiet presence, a sense of introspection. It’s a classic approach to artistic nudes, where what’s suggested always carries more weight than what’s shown.



# View photos




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I think your grandma just gave herself away.

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RANDOM AI-GENERATED IMAGES VOL21

While AI accelerates, we’re still trying to understand it—and predict it.

Lately it feels like artificial intelligence isn’t just moving fast: it’s gone feral. In his latest interview, Geoffrey Hinton—the “godfather” of all this—drops a few unsettling truths: countries compete with countries, companies compete with companies, and when everyone floors the accelerator at once, there’s no such thing as a collective brake. Nobody wants to be the one to lift their foot while the rest pull ahead.

Hinton sketches a future where AI could replace much of intellectual work, widen the wealth gap, and strain democracy. He talks about superintelligence in 10–20 years, and about what’s already here: the overwhelming advantages of digital systems over humans (they copy for free, learn at another scale, don’t sleep). Then comes the awkward question: if automation doesn’t create enough new jobs this time, who’s paying the rent for those left out?





History says every technological revolution kills some jobs and creates others. The printing press, the steam engine, electricity, the internet… There was always work in the end—different work, but work. And yes, it’s also true that nobody in 1995 pictured influencers, community managers, or people making a living fine-tuning algorithms. Maybe that happens again. Or maybe not. If the curve steepens the way Hinton suggests, the adjustment could be faster and more brutal than we’re used to. Hence the talk of basic income, new social contracts, real lifelong learning (not a sticker), and regulation that doesn’t kill innovation—or hand the future to three players with server farms in the desert.

If you want to hear him unfiltered, the interview is here: watch the episode.

And now, back to our thing…

While the gurus decide whether they’ll save us or sack us, we stick to what we do: random images created by AI. Beautiful women, flawless skin that doesn’t exist, gazes nobody set, curves a network imagined after devouring millions of pixels. It’s synthetic, sure… and it still stirs something very human.

The paradox is delicious: maybe AI will take our jobs, worsen collective decisions, or multiply inequality—but today, today, look at what it already does. It fantasizes, provokes, and hooks. And here we are, finger on the mouse, thinking that maybe it’s worth living (and dying) with this spectacle in the background. Relax: the apocalypse isn’t here yet; in the meantime, enjoy the simulation.



# See images




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Elizabeth Hurley and the dress that left everyone stunned at the premiere of “Four Weddings and a Funeral” in 1994.

instagram.com/elizabethhurley1




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