DEAN MIOCIC'S NUDE PHOTOGRAPHY

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Railings are the devil, and the sooner you figure that out, the better.

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INSTAGRAM OF THE DAY: GIANNNAJ

Gianna Everhart
WVU alum
412🤍614
🇮🇹



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Drawing in the snow.

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VIKTOR KORNEEV 2026

We’re once again visiting the excellent portfolio of photographer Viktor Korneev, to enjoy some of the new photographs he has shared.



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Where do you go to let your frustration out when everything is so expensive?

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RANDOM AI-GENERATED IMAGES VOL31

There was a time, not that long ago, when images generated by artificial intelligence had something unsettling about them. Not because of what they showed, but because of how they did it. Faces that looked fine until you stared a second longer, hands that didn’t quite fit, skin that felt too smooth, empty gazes, expressions frozen somewhere between human and artificial. They were interesting, sure, but it was obvious you were looking at tests, experiments, attempts at something that was still under construction.

If you go back through the early entries of this series, you’ll see exactly that. It’s not just a collection of images; it’s almost a small timeline of how the technology has evolved right in front of us. Without really meaning to, these galleries have ended up working as a pretty clear record of how far AI has jumped in a short time.




Because what we have now is something different. The lighting no longer looks painted on, bodies feel coherent, gestures look natural, and scenes are starting to carry a real photographic feel that would have been hard to imagine just a couple of years ago. Where there used to be experimentation, now there’s intention. Where you used to see the trick, now you have to look for it.

In that sense, this series has become something more than just a compilation of suggestive images. It has turned, almost by accident, into a way of measuring technological time. If someone wants to see how much AI image generation has changed, there’s no need to look up reports or comparisons — just check the first entries and compare them with today’s.

And the interesting part is that this doesn’t seem to have hit a ceiling yet. If the jump over the last two years has been like this, what comes next could reshape how we understand photography, visual creation, and everything that used to depend on a camera and someone standing in front of it.
For now, the only certain thing is that the evolution keeps moving forward, entry by entry. And this one is simply number 31.



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That’s why it’s always important to wear a helmet on site.

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THE INSTAGRAM OF THE DAY: TANIA BANN

Tania Bann
Won the genetic lottery 🧬



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🎶 ... tú me tienes loco, loco... 🎶

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THE INSTAGRAM OF THE DAY: GODITSMONIQUE

Monique
UH Manoa Alum



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Beach day.








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ANDREA MASSARO’S PHOTOGRAPHY

AM Conceptual is the art project of Italian photographer Andrea Massaro, born in Palermo in 1986 and currently based in Milan. His work falls under conceptual photography, an approach where the image works more as a vehicle for expressing ideas, emotions, and symbolism than as a simple attempt to document reality.

Through carefully constructed series, his work explores themes like the body, identity, sensuality, and abstraction, creating compositions meant to go beyond the obvious. The result is imagery that invites the viewer into an open-ended reading, where each photograph can be interpreted from different angles and spark personal reflection on what’s being seen.



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Wonder Woman (Lynda Carter / 1975)

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