Published on 2026/02/20
HOUSEHOLD CHORES VOL4

It’s Friday. Two days off ahead of us, Saturday and Sunday. Time to disconnect, go out, see friends, stop watching the clock… or at least try.
But then there’s the other reality: the weekend with pending chores.

Laundry piling up, dust on the furniture, the floor begging for a sweep, the groceries that won’t buy themselves, the meals for the week that someone has to prepare… That moment when you realize that if you don’t deal with it now, Monday will be worse.
It’s not exactly exciting, sure. But it doesn’t have to ruin your weekend either.

The key is not seeing it as a punishment, but as an investment. Spending a bit of time putting your place in order isn’t losing free time; it’s buying yourself peace of mind for the coming days. When your surroundings are clean and organized, everything flows better. You wake up with less stress, you find things without fighting with drawers, and even your head feels clearer.
In the end, a tidy home usually means a tidy mind. And yeah, it may sound like a cliché, but you feel it.

So do what needs to be done, but don’t dramatize it. Put on some music, knock it out in one go, get it over with… and then enjoy the weekend with that feeling that everything’s under control.
Because the weekend is also for resting without stuff buzzing around your head.



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Bonus Stage: Car Crush.

Full video

She is AJ Applegate and in this link you can watch several of her scenes

You win!

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Published on 2026/02/20
SRVIRAL #2168

Gearshift

Quad	Helping dad	Tree going down!
No hands	Piñata	I want the gold
Chameleon	Living in a drawing	Freestyle

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Published on 2026/02/20
WARS OF THE FUTURE

There’s a video going around on social media that, if nobody told you anything, could easily pass as real. It looks like a military training exercise: a line of soldiers advancing with machine guns, running while firing, crossing obstacles, climbing trenches… the kind of thing you’d expect from a tactical drill. The difference is they aren’t soldiers. They’re robots.

More specifically, robots similar to the Unitree G1, those Chinese humanoids we’ve been seeing for months doing parkour, boxing, getting up from the ground and moving with a naturalness that barely feels like science fiction anymore. In the video they move in formation, fire, take cover… and even though it’s obvious the footage is generated with artificial intelligence, what’s unsettling is how believable it looks.
And of course, it inevitably makes you think about the wars of the future.



The idea itself isn’t new: sending machines instead of people to the front lines. Robots remotely controlled from simulators, autonomous androids with a programmed mission, or hybrid systems where AI makes tactical decisions in real time. For any country, that would be the ideal scenario: fewer human casualties, less internal pressure, and a war fought with hardware instead of lives.
The problem is the enemy would have the same thing.

If that scenario ever arrives, wars could turn into clashes of robots versus robots. Mechanical armies advancing, firing, taking positions… until one side loses its technological edge and has no choice but to surrender. Not because of direct human defeat, but because it’s been outmatched in power, control, and machine production.
It sounds very futuristic, sure. But you don’t have to look that far ahead to see where things are heading.

In Ukraine, for example, we’re already seeing how drones have become a key part of the conflict. Some of them even use fiber-optic cables to communicate, precisely because radio signals are relatively easy to jam or block through electronic warfare. Technology moves forward, but the weaknesses are still there.
And the same would apply to robot armies.

Batteries, communications, sensors… all of it can fail. An electromagnetic pulse, electronic sabotage, or simple energy limitations could disable an entire unit without a single shot being fired. Right now, building a fully autonomous combat-ready android army is still quite far off.
But twenty years ago, the idea of drones making real-time targeting decisions also sounded distant — and now it’s part of reality.

So even if the video is fiction, the reflection isn’t.
War always evolves alongside technology, and the real question isn’t whether we’ll see machines fighting for nations… but when it will start to feel normal.



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Published on 2026/02/20
VIKTOR KORNEEV 2026

We’re once again visiting the excellent portfolio of photographer Viktor Korneev, to enjoy some of the new photographs he has shared.



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Where do you go to let your frustration out when everything is so expensive?

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Published on 2026/02/20
CHEAPER AND FASTER

The AI isn’t just changing the internet. It’s changing cinema. And it’s doing it at a speed that only a few years ago felt like pure science fiction.

The other day a video went viral generated with one of these new AI video tools — the famous Chinese 2.0 version everyone keeps talking about —. In the scene you see a green bus driving along a wet road with the driver inside. The camera starts to pull away… and suddenly the bus begins to transform. The wheels fold, the body opens up, the parts rearrange themselves and in a matter of seconds the bus turns into a roaring mechanical T-Rex that spits fire. All in roughly ten seconds of footage.
Up to this point it might look like just a curious video. But what matters isn’t the result. It’s the context.





The numbers usually mentioned by visual effects specialists for a transformation scene like that in movies like Transformers can range from around $50,000 to more than $200,000 per second of footage at that level of VFX. In some cases there have been projects where several minutes of CGI ended up costing tens of millions. For example, there are productions where barely four minutes of digital material moved around the $30 million mark. Translated: more than $120,000 per second.

And this lines up with the real budgets of the Transformers saga. The first movie in 2007 was around $150 million.
The sequels shot even higher: some went past $200 million, and The Last Knight got close to $260 million in official budget. A huge part of that money went directly into visual effects, animation, physical simulations, render farms, teams of 3D artists, digital lighting technicians, animators, compositors… months and months of work.
Now compare that with what’s happening.

If you wonder what kind of prompt you’d need to recreate exactly the bus transformation scene, the answer is basically a descriptive text: a green bus, rainy forest road, transformation after two seconds, mechanical unfolding, final T-Rex, cinematic effects. In other words: nothing that anyone couldn’t write in thirty seconds. And that’s the key.
For decades, to create something like this you needed to know how to model in 3D, texture, light, animate, render, composite, color-grade, add physics… or have the money to pay entire teams who could do it. Today it’s increasingly about knowing how to describe clearly what you want to see.
The AI doesn’t remove talent. But it radically changes the barrier of entry.





What once required years of technical learning now starts to depend more on creativity, visual instinct, and knowing how to guide the tool. And if you combine that with people who truly know how to exploit it, with time to iterate and maybe some budget to train models or refine results… the leap can be huge.

It doesn’t mean Hollywood will disappear tomorrow. But the concept of audiovisual production is clearly changing right in front of us.
Because when something that used to cost millions starts becoming possible in minutes, what changes isn’t just the cost. What changes is who can do it.
And that, whether we like it or not, opens a pretty big door.

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The slow-motion clip of the day.

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Published on 2026/02/20
MASTURBATING IS FOR HOTTIES VOL360

sergio, david, walter
Yes, guys, yes… it’s Friday. And just saying it already changes the mood, right? Like the week loosens its tie all by itself.

Fridays always have something special. It’s not just that rest is getting closer; it’s the feeling that everything weighs a little less. Coffee tastes better, problems seem smaller, and even the clock stops being the enemy and turns into your accomplice. You know the hard part’s done. Whatever comes now feels more like a reward than an obligation.

Friday is that moment when your mind starts drifting a bit on its own. You think about plans, the couch, going out, switching off, doing absolutely nothing… and it all sounds good. Because Friday doesn’t demand — it suggests. It doesn’t push — it invites.
So today it’s about that: lowering the tension a notch, lifting your mood a bit, and remembering that no matter what, we made it through another week. And that, even if it doesn’t always feel like it, is already a small victory.

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"This is my voice speaking in Catalan".
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Published on 2026/02/20
MADE BY US, FOR US: HOW COMMUNITY-BUILT TOOLS ARE RESHAPING CREATIVE CONTROL IN ADULT SPACES

For years, adult creators had to adapt to tools built by people who didn’t understand their work—and often actively disapproved of it.
Mainstream photo editors flagged lingerie as “inappropriate.” Social platforms shadowbanned suggestive poses. AI image generators blocked any prompt hinting at sensuality. The message was clear: your creativity is tolerated, not welcomed.
But something changed when creators stopped waiting for permission—and started building their own tools.

Not as corporations. Not as startups chasing venture capital. But as individuals, collectives, and small teams embedded in the very communities they serve. They didn’t ask for approval. They just solved real problems: How do I make a compliant teaser? How do I test a concept without reshooting? How do I keep my workflow private? The result? A quiet ecosystem of community-native platforms—tools designed not to censor, but to empower; not to surveil, but to disappear after use.



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Keep calm… and spill it all over me.

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Published on 2026/02/19
AMATEUR FLESH: PRINCESA CIRCE

Our featured amateur today, who goes by the nickname Princesa Circe, takes you back to that old-school internet. The one where plenty of women showed themselves online simply for the thrill of the attention, without thinking about income, strategy, or business plans. Just for the rush of posting a few photos, knowing people were looking, and getting messages telling them how hot they were… or the things people wanted to do to them.
Today that same content can fill bank accounts. Back then, it was enough to feed the ego.

They were different times. It feels like ages ago, but it really wasn’t that long. The big shift came during the pandemic with the OnlyFans boom, when half the internet suddenly realized that showing some skin could actually be a serious business model. But monetization didn’t start there.





Long before that, platforms already existed. MyFreeCams, one of the pioneers of camming, dates back to 2004. Chaturbate launched in 2011. ManyVids arrived in 2014.
And if you go even further back, to the late 90s and early 2000s, there were already membership websites paid with credit cards, forums where some girls sold packs through PayPal, and personal pages with “premium” content hidden behind a login.

The difference is that back then it wasn’t so easy to make a living from it. Behind the money there were usually agencies, studios, or people who knew how to move in that scene. If you didn’t have contacts or knowledge, chances were you’d get nowhere. The real change came when companies started simplifying payments, acting as intermediaries and allowing creators to manage their own content and income. That’s when true self-funding really began.

And when OnlyFans launched in 2016 and exploded during the pandemic, the industry became fully democratized. Suddenly you didn’t need much knowledge or anyone behind you — just a phone, an account, and the willingness to use it.

Princesa Circe, though, seems to sit at the opposite end. She doesn’t use pay platforms, doesn’t run subscriptions, doesn’t sell access. She simply has a Reddit account where she uploads photos whenever she feels like it, whenever she’s horny, whenever the mood hits.

Like before. Like when you looked out across the internet and everything you saw was still free.



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— Want us to suck it? — Want me to suck it? — Want a blowjob? — Just the tip. — Want it? — Want it? — Come on, do it. — You’ll like it. — Want it? — Come on.

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Published on 2026/02/19
SRVIRAL #2167

Give me a drink

Record	Sacred cow	Birthday
Elastic bed	Super kick	I love you my friend
Bike + Parkour	Swing	Shortcut

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Published on 2026/02/19
THE MECHANICAL BULL

There are plenty of mechanical bull videos. Too many. If you start looking, you can spend hours watching people climb on, last a few seconds, get thrown off, and repeat the same scene again and again until everything starts to feel the same.
But every now and then, one stands out.

You don’t really know why, but this time you don’t scroll past. It doesn’t feel like just another video. It doesn’t drag. You don’t check how much time is left. You just stay.
There’s something about the scene that works. Something that hooks you. It could be the rhythm, the atmosphere, the way the camera moves, or that feeling that this time the show has a little extra spark compared to the usual.
And suddenly you find yourself doing what you don’t usually do with these videos: watching it all the way through.

Because sometimes nothing extraordinary needs to happen. All it takes is something — a detail, a presence, an attitude — that turns a scene you’ve seen a thousand times into something you just can’t look away from.



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Come along on this exciting story with a happy ending.

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