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Published on 2025/10/17

ASULPRUSIA'S NUDE PHOTOGRAPHY

Behind the name Asulprusia beat two souls: Elizabeth and Jose Pablo, a couple who have turned light, skin, and desire into their territory.
Self-taught and partners in the moment, since 2013 they’ve been living inside that beautiful tension between the visible and the suggested.

Asulprusia isn’t just a photographic label: it’s an intimate experiment.
Where others chase the obvious, they dive into the ethereal.
In their portfolio (Still · Motion), the image breathes, lingers, and plays with what can’t quite be seen.

What Elizabeth and Jose Pablo create isn’t about showing bodies. It’s about summoning sensations.
They make shadows, filtered light, a subtle tremor in the details, and a held breath the true protagonists.

No loud gestures, no visual violence. Their work is subtlety perfectly tuned and a mastery of silence.
In Asulprusia, seduction isn’t always explicit; often, the art lies in what the eye has to complete.

The eroticism they produce carries memory. It makes you want to return.
Because every image is a promise left unfinished, a tension between what’s revealed and what’s hidden, a dance between voyeur and participant.

This is our tribute to that kind of art that knows how to be more desire than display.
To Elizabeth and Jose Pablo, who through Asulprusia have turned their passion into a territory of their own, both intimate and raw.




























































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Pure magic!






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RANDOM AI-GENERATED IMAGES VOL22

Sometimes I think that if one day we all wear an earpiece with a Jarvis-style Iron Man whispering data and advice in real time, it won’t be that different from what we already are.
The idea is tempting: an augmented conscience, a digital Jiminy Cricket with access to all the information online, able to guide us, warn us, or even nudge us wherever it suits us most.

The upsides are obvious: instant knowledge, faster decisions, and never feeling alone with a question. Imagine you’re unsure about investing in something, what to say in a meeting, how to cook a dish, or even whether someone is lying—and that voice gives you an answer in seconds. It’d be like having an extra mind running in parallel.

The downside is what we rarely consider: what if that information is manipulated, biased, or outright made up? Then you wouldn’t have a neutral conscience—you’d have another voice steering your steps, taking you where others want you to go.





And here’s the paradox: we fear that future, but if you look closely, we’re already living in it.
Each of us is a bundle of biases, false beliefs, and stories seeded in our heads by others.
Some believe whatever they read in a headline, others repeat what they hear in their family or what their social-media bubble dictates. We all act convinced we’re choosing freely, when in reality we’re moving with partial, edited, and often interested information.

There are endless examples:
  • You think you pick a product because “you like it,” when in fact you saw it in 20 disguised ads as recommendations.
  • You think your political opinion is yours, but most of the arguments you use come from talk shows or headlines someone pre-cooked for you.
  • Even when you decide what’s right or wrong, you do it through a hand-me-down cultural filter without noticing.
The difference between having a Jarvis in your ear or not might not be that big. What would change is how obvious it becomes: we’d finally admit that we’ve never been as free as we think, and there have always been outside voices shaping our conscience.

And since we’re talking about consciences, inner voices, and illusions of freedom, nothing like peeking at another kind of invented realities: the ones artificial intelligence creates when it designs women that look pulled from a dream. Unreal, yes—but irresistible to look at.



# View images




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Lunchtime.






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RANDOM AI-GENERATED IMAGES VOL21

While AI accelerates, we’re still trying to understand it—and predict it.

Lately it feels like artificial intelligence isn’t just moving fast: it’s gone feral. In his latest interview, Geoffrey Hinton—the “godfather” of all this—drops a few unsettling truths: countries compete with countries, companies compete with companies, and when everyone floors the accelerator at once, there’s no such thing as a collective brake. Nobody wants to be the one to lift their foot while the rest pull ahead.

Hinton sketches a future where AI could replace much of intellectual work, widen the wealth gap, and strain democracy. He talks about superintelligence in 10–20 years, and about what’s already here: the overwhelming advantages of digital systems over humans (they copy for free, learn at another scale, don’t sleep). Then comes the awkward question: if automation doesn’t create enough new jobs this time, who’s paying the rent for those left out?





History says every technological revolution kills some jobs and creates others. The printing press, the steam engine, electricity, the internet… There was always work in the end—different work, but work. And yes, it’s also true that nobody in 1995 pictured influencers, community managers, or people making a living fine-tuning algorithms. Maybe that happens again. Or maybe not. If the curve steepens the way Hinton suggests, the adjustment could be faster and more brutal than we’re used to. Hence the talk of basic income, new social contracts, real lifelong learning (not a sticker), and regulation that doesn’t kill innovation—or hand the future to three players with server farms in the desert.

If you want to hear him unfiltered, the interview is here: watch the episode.

And now, back to our thing…

While the gurus decide whether they’ll save us or sack us, we stick to what we do: random images created by AI. Beautiful women, flawless skin that doesn’t exist, gazes nobody set, curves a network imagined after devouring millions of pixels. It’s synthetic, sure… and it still stirs something very human.

The paradox is delicious: maybe AI will take our jobs, worsen collective decisions, or multiply inequality—but today, today, look at what it already does. It fantasizes, provokes, and hooks. And here we are, finger on the mouse, thinking that maybe it’s worth living (and dying) with this spectacle in the background. Relax: the apocalypse isn’t here yet; in the meantime, enjoy the simulation.



# See images




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Elizabeth Hurley and the dress that left everyone stunned at the premiere of “Four Weddings and a Funeral” in 1994.



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ASSES#147 + LINK TO OUR TELEGRAM COMMUNITY

Alright, if last week was about boobs, it only makes sense today we go with butts.
The universe keeps it simple: balance.
Life is about evening things out; day and night, coffee and naps, yin and yang… and at ALRNCN, one set of curves calls for the other.

It’s not rocket science: if you tipped the scale forward, sooner or later you bring it back.
Nature hates imbalance, and so does the feed.
So today we’re here to rebalance the cosmos with a generous serving of backsides that make you rethink the law of gravity—the kind that move with their own rhythm and demand a slow look.

Breathe, get comfy, and let the natural order reset.
Last week, boobs. This week, butts. And tomorrow… we’ll see which way fate leans.



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This means you have to go to the web version of Telegram https://web.telegram.org and log in, if you are not already. In the settings, in the "Privacy" section, find the option "Sensitive content" and activate "Disable filtering". As soon as you do, the Settings will automatically sync with the rest of your devices, including the iOS and macOS versions of the App Store.
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SERVED ON A SILVER PLATTER

Some expressions suddenly become a little too literal. “Served on a silver platter” has always meant making things easy, handing them over without effort, like you don’t even have to lift a finger.

Here, the metaphor breaks and turns into an image. What’s usually just a figure of speech becomes a visual game so straightforward it leaves no room for interpretation. Elegance and boldness collide in a simple gesture that turns a cliché into an unexpected spectacle.



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Black Sabbath or...



Iron Maiden?






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THE INSTAGRAM OF THE DAY: ZOEYYLUNA

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THE INSTAGRAM OF THE DAY: HEYLAURENSUMMER

Lauren Summer
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